Johannes Maria Staud: Berenice. Lied vom Verschwinden

Dive into the evocative world of contemporary classical music with Johannes Maria Staud's "Berenice. Lied vom Verschwinden," a compelling album released on December 1, 2003, under the Kairos label. This captivating collection spans a rich hour of music, featuring a diverse range of compositions that showcase Staud's unique artistic vision.

The album opens with the expansive "A map is not the territory (2001)" for large ensemble, a three-part work that explores the intricate relationships between sound and space. Following this, "Bewegungen (1996)" for piano and "Polygon. Musik für Klavier und Orchester (2002)" offer a journey through Staud's innovative approach to instrumental composition. The haunting "Black Moon (1998)" for bass clarinet solo provides a stark contrast, highlighting the composer's ability to evoke deep, introspective moods.

The centerpiece of the album is "Berenice. Lied vom Verschwinden (2003)," a mesmerizing work for soprano, small ensemble, and tape. Described as a 'song of vanishing,' this piece seamlessly integrates electronics with live performance, creating an indissoluble image of beauty and decay. The interplay between the soprano's vocals and the ensemble, enhanced by electronic elements, results in a profoundly immersive listening experience.

"Berenice. Lied vom Verschwinden" is a testament to Johannes Maria Staud's mastery of contemporary composition, blending traditional and modern techniques to create a sonic landscape that is both haunting and beautiful. Whether you are a seasoned fan of contemporary classical music or a curious newcomer, this album offers a rich and rewarding exploration of Staud's artistic prowess.