"Imperatrix Inferni - Votive Antiphons" is a captivating choral album by the renowned composer John Taverner, released under the Obsidian label in 2011. This exquisite collection features two of Taverner's Marian antiphons, alongside other ritual works, offering a unique insight into his evolving compositional style and his mastery of expressive clarity. The album spans a total of 8 tracks, with a duration of 1 hour and 10 minutes, providing a rich and immersive listening experience.
The album opens with "Psalm 41" and includes notable pieces such as "Quemadmodum", "Audivi vocem de caelo", and "Ave Dei Patris filia", each showcasing Taverner's deep understanding of choral dynamics and his ability to evoke profound spiritual resonance. The ensemble Alamire, directed by David Skinner, delivers a stunning performance, bringing Taverner's intricate compositions to life with precision and passion.
"Imperatrix Inferni - Votive Antiphons" is not just a collection of songs but a testament to John Taverner's enduring legacy in the world of choral music. Whether you are a seasoned fan of choral works or a newcomer to the genre, this album offers a profound and enriching experience that highlights the timeless beauty of Taverner's compositions.
John Taverner, born around 1490 in Lincolnshire, was one of the most influential English composers of the early 16th century. His life and work spanned a period of significant religious and political upheaval, which deeply influenced his compositions. Taverner's music is renowned for its contemplative stillness and artful simplicity, a stark contrast to the extravagant styles of his contemporaries. He served as the first organist and master of the choristers at Christ Church, Oxford, appointed by Cardinal Wolsey, and his sacred works, including the iconic "Missa Gloria tibi Trinitas" and "The Western Wynde Mass," are celebrated for their profound spiritual depth and technical mastery. Taverner's contributions to the mass and votive antiphon are varied and distinguished, making him a pivotal figure in the transition of English sacred music through the Reformation. His legacy endures as a testament to his enduring influence on choral music.
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