Experience the timeless drama and musical brilliance of Niccolò Jommelli's "Didone abbandonata" in this captivating 2016 release from Orfeo. This album presents the third version of Jommelli's masterful opera, a tale of love, betrayal, and tragedy based on the legendary story of Dido and Aeneas.
Spanning over two hours, this comprehensive recording features the complete opera, meticulously performed and recorded to capture the essence of Jommelli's compositional genius. The album includes the full overture and all three acts, complete with arias, duets, and ensemble pieces that showcase the depth and range of Jommelli's musical language.
Niccolò Jommelli, an influential figure in the Baroque and Classical eras, crafted "Didone abbandonata" to highlight the dramatic potential of opera. This version, composed in 1763, reflects his mature style and innovative approach to musical storytelling. The opera's intricate arias and powerful ensembles bring to life the complex characters and their tumultuous relationships, making it a standout work in Jommelli's repertoire.
The album is a testament to Jommelli's enduring legacy, offering both seasoned opera enthusiasts and newcomers to his work a rich and rewarding listening experience. With its engaging narrative and stunning musical performances, this recording of "Didone abbandonata" is a essential addition to any classical music collection.
Didone abbandonata (3rd Version), Act I: Act I Scene 1: No, Principessa, amico, sdegno non è (Enea, Selene, Osmida)Niccolò Jommelli, Mechthild Bach, Stuttgart Chamber Orchestra, Martina Borst, Arno Raunig, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 2: Enea d'Asia splendore (Didone, Enea)Niccolò Jommelli, Dorothea Röschmann, Stuttgart Chamber Orchestra, Martina Borst, Frieder Bernius
Didone abbandonata (3rd version): Act I Scene 3: Parte così, così mi lascia Enea? (Didone, Selene, Osmida)Niccolò Jommelli, Dorothea Röschmann, Arno Raunig, Mechthild Bach, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 3: Dirò, che fida sei (Selene)Niccolò Jommelli, Stuttgart Chamber Orchestra, Mechthild Bach, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 4: Venga Arbace qual vuole (Didone, Osmida)Niccolò Jommelli, Dorothea Röschmann, Stuttgart Chamber Orchestra, Arno Raunig, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 4: MarciaNiccolò Jommelli, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 5: Vedi mio Re … (Araspe, Iarba, Didone, Osmida)Niccolò Jommelli, Dorothea Röschmann, Daniel Taylor, Stuttgart Chamber Orchestra, William Kendall, Arno Raunig, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 5: Son Regina, e sono amante (Didone)Niccolò Jommelli, Dorothea Röschmann, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 6: Araspe alla vendetta (Iarba, Araspe, Osmida)Niccolò Jommelli, Daniel Taylor, Stuttgart Chamber Orchestra, William Kendall, Arno Raunig, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 6: Tu mi scorgi al gran disegno (Osmida)Niccolò Jommelli, Arno Raunig, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 7: Quanto è stolto, se crede (Iarba, Araspe)Niccolò Jommelli, Daniel Taylor, William Kendall, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 8: Empio! L'orror, che porta (Araspe)Niccolò Jommelli, Stuttgart Chamber Orchestra, Daniel Taylor, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 8: Se dalle stelle tu non sei guida (Araspe)Niccolò Jommelli, Daniel Taylor, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 9: Già te'l dissi, o Selene (Enea, Selene)Niccolò Jommelli, Mechthild Bach, Martina Borst, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 10: Tutta ho scorsa la Reggia (Iarba, Araspe, Enea)Niccolò Jommelli, William Kendall, Martina Borst, Daniel Taylor, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 10: Quando saprai chi sono (Enea)Niccolò Jommelli, Martina Borst, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 11: Non partirà sé pria … (Iarba, Selene)Niccolò Jommelli, Mechthild Bach, William Kendall, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 12: Non è più tempo, Araspe (Iarba, Osmida)Niccolò Jommelli, Arno Raunig, William Kendall, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 13: Dove corri, o Signore? (Araspe, Iarba)Niccolò Jommelli, William Kendall, Daniel Taylor, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 13: Son qual siume, che gonsio d'umori (Iarba)Niccolò Jommelli, William Kendall, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 14: Come? Da'labbri tuoi (Osmida, Enea)Niccolò Jommelli, Stuttgart Chamber Orchestra, Arno Raunig, Martina Borst, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 15: Ecco il rival, ne seco (Iarba, Araspe, Enea, Osmida)Niccolò Jommelli, William Kendall, Martina Borst, Daniel Taylor, Stuttgart Chamber Orchestra, Arno Raunig, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 16: Siam traditi, o Regina (Osmida, Didone, Araspe, Enea, Iarba)Niccolò Jommelli, William Kendall, Dorothea Röschmann, Martina Borst, Daniel Taylor, Stuttgart Chamber Orchestra, Arno Raunig, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 17: Enea, falvo già sei (Didone, Enea)Niccolò Jommelli, Dorothea Röschmann, Stuttgart Chamber Orchestra, Martina Borst, Frieder Bernius
Didone abbandonata (3rd Version), Act I: Act I Scene 17: Duet: Non ha ragione, ingrato (Didone, Enea)Niccolò Jommelli, Dorothea Röschmann, Stuttgart Chamber Orchestra, Martina Borst, Frieder Bernius
Didone abbandonata (3rd Version), Act II: Act II Scene 1: Chi fu, che all'inumano (Selene, Araspe)Niccolò Jommelli, Mechthild Bach, Stuttgart Chamber Orchestra, Daniel Taylor, Frieder Bernius
Didone abbandonata (3rd Version), Act II: Act II Scene 1: Aria: D'atre nubi è il sol ravvolto (Araspe)Niccolò Jommelli, Daniel Taylor, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act II: Act II Scene 2: Già so che si nasconde (Didone, Osmida)Niccolò Jommelli, Arno Raunig, Dorothea Röschmann, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act II: Act II Scene 3: Come! Ancor non partisti? (Didone, Enea)Niccolò Jommelli, Martina Borst, Dorothea Röschmann, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act II: Act II Scene 3: Ah non lasciarmi, no (Didone)Niccolò Jommelli, Stuttgart Chamber Orchestra, Dorothea Röschmann, Frieder Bernius
Didone abbandonata (3rd Version), Act II: Act II Scene 4: Io sento vacillar la mia costanza (Enea, Iarba)Niccolò Jommelli, Martina Borst, Stuttgart Chamber Orchestra, William Kendall, Frieder Bernius
Didone abbandonata (3rd Version), Act II: Act II Scene 5: Così strane venture io non intendo (Iarba)Niccolò Jommelli, William Kendall, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act II: Act II Scene 5: Fosca nube il sol ricopra (Iarba)Niccolò Jommelli, Stuttgart Chamber Orchestra, William Kendall, Frieder Bernius
Didone abbandonata (3rd Version), Act II: Act II Scene 6: Fra'l dovere, e l'affretto (Enea, Araspe)Niccolò Jommelli, Martina Borst, Stuttgart Chamber Orchestra, Daniel Taylor, Frieder Bernius
Didone abbandonata (3rd Version), Act II: Act II Scene 7: Tanto ardir nella reggia! (Selene, Araspe)Niccolò Jommelli, Mechthild Bach, Stuttgart Chamber Orchestra, Daniel Taylor, Frieder Bernius
Didone abbandonata (3rd Version), Act II: Act II Scene 8: Enea, brama Didone teco parlar (Selene, Enea)Niccolò Jommelli, Martina Borst, Stuttgart Chamber Orchestra, Mechthild Bach, Frieder Bernius
Didone abbandonata (3rd Version), Act II: Act II Scene 8: Ah non sai, bella Selene (Enea)Niccolò Jommelli, Martina Borst, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act II: Act II Scene 9: Stolta! Per chi sospiro? (Selene)Niccolò Jommelli, Stuttgart Chamber Orchestra, Mechthild Bach, Frieder Bernius
Didone abbandonata (3rd Version), Act II: Act II Scene 9: Aria: Ogni amator suppone (Selene)Niccolò Jommelli, Mechthild Bach, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act II: Act II Scene 10: Incerta del mio fato (Didone, Enea)Niccolò Jommelli, Martina Borst, Dorothea Röschmann, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act II: Act II Scene 11: Didone, e che mi chiedi? (Iarba, Enea, Didone)Niccolò Jommelli, Martina Borst, Stuttgart Chamber Orchestra, William Kendall, Dorothea Röschmann, Frieder Bernius
Didone abbandonata (3rd Version), Act II: Act II Scene 11: Infedel! Ti lascio: addio (Enea, Didone, Iarba)Niccolò Jommelli, William Kendall, Dorothea Röschmann, Martina Borst, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act III: Act III Scene 1: Compagni invitti, a tollerare avvezzi (Enea)Niccolò Jommelli, Stuttgart Chamber Orchestra, Martina Borst, Frieder Bernius
Didone abbandonata (3rd Version), Act III: Act III Scene 2: Per un momento il legno (Iarba, Enea)Niccolò Jommelli, Martina Borst, Stuttgart Chamber Orchestra, William Kendall, Frieder Bernius
Didone abbandonata (3rd Version), Act III: Act III Scene 3: Già di Iarba in difesa (Osmida)Niccolò Jommelli, Arno Raunig, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act III: Act III Scene 4: Seguitemi, o compagni: Alla reggia! (Iarba, Osmida)Niccolò Jommelli, Arno Raunig, William Kendall, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act III: Act III Scene 5: Siam tutti alfin raccolti (Enea, Osmida)Niccolò Jommelli, Arno Raunig, Martina Borst, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act III: Act III Scene 6: Principessa, ove corri? (Enea, Selene)Niccolò Jommelli, Mechthild Bach, Martina Borst, Stuttgart Chamber Orchestra, Frieder Bernius
Didone abbandonata (3rd Version), Act III: Act III Scene 6: A trionfar mi chiama un bel desio d'onore (Enea)Niccolò Jommelli, Stuttgart Chamber Orchestra, Martina Borst, Frieder Bernius
Niccolò Jommelli, born in 1714, was a pivotal figure in the Neapolitan School of opera, renowned for his significant contributions to operatic reform in the mid-18th century. As one of the most sought-after opera composers of his time, Jommelli's innovative approach reduced the ornate style of opera and shifted the focus away from star singers, paving the way for a more balanced and integrated musical experience. His works, including the celebrated opera "Il Vologeso," premiered in 1766, and his Requiem in E flat, which was highly regarded in the late 18th century, showcase his mastery and influence. Jommelli's appointment as Court Kapellmeister in Stuttgart in 1753 further solidified his status as a leading composer in Europe. Despite facing personal and financial challenges in his later years, his legacy endures, making him a composer whose works continue to captivate audiences today.