jommelli: missa pro defunctis, libera me & miserere - niccolò jommelli
Jommelli: Missa pro Defunctis, Libera me & Miserere
Niccolò Jommelli
2020
50 tracks
1 uur, 4 min
Album Description
Immerse yourself in the profound and stirring compositions of Niccolò Jommelli with this exquisite collection, featuring his renowned "Missa pro Defunctis" in E-Flat Major, alongside the deeply moving "Libera me" and "Miserere." This album, released by Passacaille, showcases Jommelli's mastery of the requiem mass, a genre he elevated to new heights in the late 18th century, much like Mozart did in the 19th.
The "Missa pro Defunctis" is a monumental work, composed in 1756, and stands as a testament to Jommelli's genius. The album begins with the hauntingly beautiful "Requiem æternam" and unfolds through a series of powerful movements, including the dramatic "Dies irae" and the serene "Pie Jesu Domine." Each piece is performed with meticulous attention to detail by the talented ensemble Il Gardellino, conducted by Peter Van Heyghen, bringing Jommelli's vision to life with clarity and passion.
In addition to the "Missa pro Defunctis," this album includes the "Libera me" in C Minor, a work that complements the requiem with its own unique blend of solemnity and hope. The "Miserere" in G Minor rounds out the collection, offering a deeply reflective and introspective experience.
With a total duration of 1 hour and 4 minutes, this album is a comprehensive exploration of Jommelli's sacred music, providing a rich and rewarding listening experience. Whether you are a seasoned classical music enthusiast or a newcomer to the genre, this album offers a profound and enriching journey into the world of Niccolò Jommelli's compositions.
(C) 2020 Passacaille(P) 2019 Passacaille
Tracks
Missa pro Defunctis in E-Flat Major, HocJ A1.3: I. Introitus, "Requiem æternam"Niccolò Jommelli, Miriam Feuersinger, Gaia Petrone, Il Gardellino, Peter Van Heyghen
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 1. Kyrie eleisonNiccolò Jommelli, Il Gardellino, Peter Van Heyghen
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 2. Christe eleisonNiccolò Jommelli, Il Gardellino, Gudrun Sidonie Otto, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen
Missa pro Defunctis in E-Flat Major, HocJ A1.3: II. Kyrie, 3. Kyrie eleisonNiccolò Jommelli, Il Gardellino, Peter Van Heyghen
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 1. Dies iraeNiccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 2. Salva me, fons pietatisNiccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 3. Oro supplex et acclinisNiccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen
Missa pro Defunctis in E-Flat Major, HocJ A1.3: III. Sequentia, 4. Pie Jesu DomineNiccolò Jommelli, Il Gardellino, Peter Van Heyghen
Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Domine, Jesu Christe, (a) Domine Jesu Christe, Rex gloriaeNiccolò Jommelli, Il Gardellino, Peter Van Heyghen
Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Domine, Jesu Christe, (b) Libera eas de ore leonisNiccolò Jommelli, Il Gardellino, Peter Van Heyghen
Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Domine, Jesu Christe, (c) Quam olim Abrahae promisistiNiccolò Jommelli, Il Gardellino, Peter Van Heyghen
Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Hostias, (a) Hostias et praeces tibi, DomineNiccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen
Missa pro Defunctis in E-Flat Major, HocJ A1.3: IV. Offertorium, 1. Hostias, (b) Quam olim Abrahae promisistiNiccolò Jommelli, Il Gardellino, Peter Van Heyghen
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 1. Sanctus, Dominus DeusNiccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Helen Charlston, Daniel Johannsen, Peter Van Heyghen
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 2. HosannaNiccolò Jommelli, Il Gardellino, Peter Van Heyghen
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 1. Benedictus qui venit in nomine DominiNiccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Peter Van Heyghen
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VI. Benedictus, 2. Hosanna in excelsisNiccolò Jommelli, Il Gardellino, Peter Van Heyghen
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VII. Agnus Dei, 1. Agnus Dei, qui tollis peccata mundiNiccolò Jommelli, Il Gardellino, Miriam Feuersinger, Gaia Petrone, Valerio Contaldo, Peter Van Heyghen
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VII. Agnus Dei, 2. Dona eis requiemNiccolò Jommelli, Il Gardellino, Peter Van Heyghen
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 1. Lux aeterna luceat eis DomineNiccolò Jommelli, Il Gardellino, Peter Van Heyghen
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 2. Requiem aeternamNiccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Peter Van Heyghen
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 3. Cum sanctis tuis in aeternumNiccolò Jommelli, Il Gardellino, Peter Van Heyghen
Libera me in C Minor, HocJ E.2: I. Libera meNiccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Peter Van Heyghen
Libera me in C Minor, HocJ E.2: II. Quando cœli movendi sunt et terraNiccolò Jommelli, Il Gardellino, Peter Van Heyghen
Libera me in C Minor, HocJ E.2: III. Dum veneris iudicareNiccolò Jommelli, Il Gardellino, Gudrun Sidonie Otto, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen
Libera me in C Minor, HocJ E.2: IV. Tremens factus sum egoNiccolò Jommelli, Miriam Feuersinger, Il Gardellino, Peter Van Heyghen
Libera me in C Minor, HocJ E.2: V. Quando cœli movendi sunt et terraNiccolò Jommelli, Il Gardellino, Peter Van Heyghen
Libera me in C Minor, HocJ E.2: VI. Dies illa, dies iraeNiccolò Jommelli, Gaia Petrone, Il Gardellino, Peter Van Heyghen
Libera me in C Minor, HocJ E.2: VII. Dum veneris iudicareNiccolò Jommelli, Il Gardellino, Gudrun Sidonie Otto, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen
Miserere in G Minor, HocJ C1.23: I. Miserere, 1. Miserere mei DeusNiccolò Jommelli, Il Gardellino, Peter Van Heyghen
Miserere in G Minor, HocJ C1.23: I. Miserere, 2. Et secundum multitudinemNiccolò Jommelli, Daniel Johannsen, Il Gardellino, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen
Miserere in G Minor, HocJ C1.23: II. Amplius lava me ab iniquitate meaNiccolò Jommelli, Il Gardellino, Peter Van Heyghen
Miserere in G Minor, HocJ C1.23: III. Quoniam iniquitatem meamNiccolò Jommelli, Daniel Johannsen, Il Gardellino, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen
Miserere in G Minor, HocJ C1.23: IV. Tibi soli peccaviNiccolò Jommelli, Gudrun Sidonie Otto, Niccolò Jomelli, Helen Charlston, Daniel Johannsen, Peter Van Heyghen
Miserere in G Minor, HocJ C1.23: V. Ecce enim in iniquitatibus conceptus sumNiccolò Jommelli, Daniel Johannsen, Il Gardellino, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen
Miserere in G Minor, HocJ C1.23: VI. Ecce enim veritatemNiccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Valerio Contaldo, Peter Van Heyghen
Miserere in G Minor, HocJ C1.23: VII. Asparges me hysopo et mundaborNiccolò Jommelli, Daniel Johannsen, Il Gardellino, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen
Miserere in G Minor, HocJ C1.23: VIII. Auditui meo dabis gaudiumNiccolò Jommelli, Il Gardellino, Peter Van Heyghen
Miserere in G Minor, HocJ C1.23: IX. Averte faciem tuamNiccolò Jommelli, Daniel Johannsen, Il Gardellino, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen
Miserere in G Minor, HocJ C1.23: X. Cor mundum crea in me DeusNiccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Helen Charlston, Daniel Johannsen, Miriam Feuersinger, Peter Van Heyghen
Miserere in G Minor, HocJ C1.23: XI. Ne proicias me a facie tuaNiccolò Jommelli, Daniel Johannsen, Il Gardellino, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen
Miserere in G Minor, HocJ C1.23: XII. Redde mihi laetitiamNiccolò Jommelli, Il Gardellino, Peter Van Heyghen
Miserere in G Minor, HocJ C1.23: XIII. Docebo iniquos vias tuasNiccolò Jommelli, Il Gardellino, Daniel Johannsen, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen
Miserere in G Minor, HocJ C1.23: XIV. Libera me de sanguinibus, DeusNiccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Helen Charlston, Miriam Feuersinger, Peter Van Heyghen
Miserere in G Minor, HocJ C1.23: XV. Domine labia mea aperiesNiccolò Jommelli, Daniel Johannsen, Il Gardellino, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen
Miserere in G Minor, HocJ C1.23: XVI. Quoniam si voluissesNiccolò Jommelli, Il Gardellino, Peter Van Heyghen
Miserere in G Minor, HocJ C1.23: XVII. Sacrificium DeoNiccolò Jommelli, Il Gardellino, Daniel Johannsen, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen
Miserere in G Minor, HocJ C1.23: XVIII. Benigne fac DomineNiccolò Jommelli, Il Gardellino, Miriam Feuersinger, Gaia Petrone, Peter Van Heyghen
Miserere in G Minor, HocJ C1.23: XIX. Tunc acceptabis, 1. Tunc acceptabis sacrificiumNiccolò Jommelli, Daniel Johannsen, Il Gardellino, Valerio Contaldo, Wolf Matthias Friedrich, Peter Van Heyghen
Miserere in G Minor, HocJ C1.23: XIX. Tunc acceptabis, 2. Tunc imponentNiccolò Jommelli, Il Gardellino, Peter Van Heyghen
Niccolò Jommelli, born in 1714, was a pivotal figure in the Neapolitan School of opera, renowned for his significant contributions to operatic reform in the mid-18th century. As one of the most sought-after opera composers of his time, Jommelli's innovative approach reduced the ornate style of opera and shifted the focus away from star singers, paving the way for a more balanced and integrated musical experience. His works, including the celebrated opera "Il Vologeso," premiered in 1766, and his Requiem in E flat, which was highly regarded in the late 18th century, showcase his mastery and influence. Jommelli's appointment as Court Kapellmeister in Stuttgart in 1753 further solidified his status as a leading composer in Europe. Despite facing personal and financial challenges in his later years, his legacy endures, making him a composer whose works continue to captivate audiences today.