Just A-Sittin' And A-Rockin'

Album Description

Dive into the rich, melodic world of jazz with Paul Gonsalves' "Just A-Sittin' And A-Rockin'," a timeless collection released on July 31, 1987, under the 1201 MUSIC label. This 45-minute journey through the genres of jazz, cool jazz, bebop, and hard bop is a testament to Gonsalves' mastery of the saxophone and his ability to captivate audiences with his soulful playing.

The album opens with "B.P. Blues," setting the tone for a series of tracks that showcase Gonsalves' versatility and depth. "Lotus Blossom" and "I Cover The Waterfront" are standout pieces that highlight his smooth, cool jazz style, while "Don't Blame Me" and "Hi Ya Sue" offer a taste of his bebop and hard bop influences. Each track is a masterclass in jazz improvisation, with Gonsalves' saxophone weaving intricate melodies over dynamic rhythms.

"Just A-Sittin' And A-Rockin'" is not just a collection of songs; it's a celebration of jazz in all its forms. From the playful "Tea For Two" to the energetic "Stompy Jones," Gonsalves and his ensemble deliver a performance that is as engaging as it is technically impressive. Fans of jazz will appreciate the album's blend of classic and contemporary styles, making it a valuable addition to any jazz enthusiast's collection.

31 jul 1987

About Paul Gonsalves

Paul Gonsalves, born in Brockton, Massachusetts, in 1920, was a tenor saxophonist whose name is synonymous with some of the most electrifying moments in jazz history. Gonsalves is best known for his tenure with Duke Ellington, where he delivered a legendary 27-chorus solo during the 1956 Newport Jazz Festival, a performance that revitalized Ellington's career and solidified Gonsalves' status as a jazz icon. His emotive and high-energy playing style, honed through his experiences with bands led by Count Basie and Dizzy Gillespie, made him a standout soloist and a favorite of Ellington's. Gonsalves' contributions to Ellington's suites and his prolific recordings as a soloist and bandleader showcase his versatility and influence across jazz genres, from cool jazz to hard bop. His personal style on the tenor saxophone is instantly recognizable, making him a beloved figure in the jazz world.