Kaleidoscopes

Album Description

"Kaleidoscopes," released by Canadian pianist Paul Plimley in January 1993, is a captivating journey into the realms of free jazz and avant-garde music. This album, featuring a stellar lineup including bassist Lisle Ellis, offers a unique blend of improvisational brilliance and structural innovation. With a runtime of 58 minutes, "Kaleidoscopes" is a testament to Plimley's mastery of the piano and his ability to push the boundaries of traditional jazz.

The album opens with "Long Time No See," setting the stage for a series of intricate and thought-provoking compositions. Tracks like "Poise" and "Beauty Is a Rare Thing" showcase Plimley's delicate touch and Ellis's robust basslines, creating a rich tapestry of sound. "Kaleidoscope #1" and "Kaleidoscope #2" are standout pieces, highlighting the album's namesake with their shifting patterns and dynamic interplay.

"Folk Tales" and "Dancing in Your Head" offer a more introspective side of Plimley's compositional style, while "Moon Inhabitants" and "Street Woman" bring a sense of urgency and energy. The album concludes with "Chronology," a fitting end to a collection that is as much about the journey as it is about the destination.

"Kaleidoscopes" is a seminal work in the free jazz genre, showcasing Paul Plimley's unique vision and technical prowess. Released on the hat ART CD label, this album is a essential addition to any jazz enthusiast's collection, offering a deep dive into the avant-garde and a celebration of improvisational excellence.

1 jan 1993

About Paul Plimley

Paul Plimley was a pioneering figure in the Canadian jazz avant-garde, renowned for his virtuosic skills on the piano and vibraphone. Born in 1953, Plimley's musical journey was marked by his deep understanding of both classical music and a wide array of jazz styles. He was particularly celebrated for his interpretations of Ornette Coleman's music, being one of the first pianists to convincingly bring Coleman's innovative compositions to life.

As a co-founder of the New Orchestra Workshop Society, Plimley played a pivotal role in fostering the growth of experimental music in Canada. His collaborations, notably with bassist Lisle Ellis, produced some of the most compelling works in free jazz. Plimley's discography is a testament to his artistic vision, featuring solo works and ensemble pieces that showcase his unique approach to composition and improvisation. Albums like "Ivory Ganesh Meets Doctor Drums" and "Safe Crackers" highlight his ability to create cohesive and engaging musical experiences, even with tracks that vary significantly in length. Plimley's legacy endures as a beacon of creativity and innovation in the world of jazz.