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keys to infinity - paul bley

Keys to Infinity

Paul Bley

2012
11 tracks
37 min
free jazz

Album Description

Paul Bley's 'Keys to Infinity' is a captivating jazz album that showcases the artist's mastery of the genre. Released on 12 December 2012 via VintageVibe Records, this 37-minute record is a treasure trove of free jazz, jazz, and cool jazz sounds.

The album features a diverse tracklist, including renditions of 'This Can't Be Love', 'Porgy', and 'You Go to My Head', alongside original compositions such as 'Persian Village' and 'Autumn Breeze'. Paul Bley's unique approach to jazz is evident throughout the record, as he effortlessly navigates between complex melodies and soothing harmonies.

With 'Keys to Infinity', Paul Bley invites listeners to immerse themselves in his distinctive sound, which blends elements of free jazz and cool jazz to create a truly distinctive experience. The result is an album that is both a testament to Paul Bley's skill as a musician and a compelling exploration of the jazz genre.

12 dec 20122012 VintageVibe Records2012 VintageVibe Records

Tracks

This Can't Be LovePaul Bley
3:08
PorgyPaul Bley
3:40
Drum TwoPaul Bley
3:06
Persian VillagePaul Bley
3:28
Valse HotPaul Bley
4:20
Autumn BreezePaul Bley
3:10
You Go to My HeadPaul Bley
5:07
My HeartPaul Bley
2:38
I Remember HarlemPaul Bley
3:42
TopsyPaul Bley
2:43
That Old FeelingPaul Bley
2:38

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About Paul Bley

Paul Bley, a pioneering Canadian jazz pianist, left an indelible mark on the music world with his deeply original and aggressive approach to free jazz. Born in Montreal in 1932, Bley's career spanned over six decades, during which he collaborated with some of the most influential musicians of the 20th century, including Charlie Parker, Ornette Coleman, and Sonny Rollins. His innovative work with synthesizers in the 1960s further cemented his status as a forward-thinking artist. Bley's discography is a testament to his prolific output and enduring influence, from his early recordings in the 1950s to his solo piano works in the 2000s. His music, characterized by its spacious, restrained lyricism, continues to inspire and challenge listeners, making him one of the greatest pianists in the history of jazz.

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