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Nate Wooley
Nate Wooley is a trailblazing American trumpeter renowned for his innovative approach to the instrument and his significant contributions to the experimental jazz scene. Born in Clatskanie, Oregon, in 1974, Wooley began his musical journey playing professionally with his father, a big band saxophonist. After moving to New York in 2001, he became a pivotal figure in redefining the trumpet's technique and sound. Wooley's music is characterized by its fearlessness and technical virtuosity, drawing comparisons to jazz legends like Ornette Coleman. His compositions and performances are a testament to his unique vision, making him one of the most exciting and influential figures in contemporary free jazz and avant-garde music.
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Nate Wooley, the renowned trumpeter and composer, presents his latest quartet album, "Knknighgh (Minimal Poetry For Aran Saroyan)," a bold and adventurous journey into the realms of free jazz and avant-garde music. Released on July 7, 2017, under the Clean Feed label, this album is a testament to Wooley's fearless approach to music, reminiscent of the pioneering spirit of Ornette Coleman.
The album features five tracks, each titled "Knknighgh" followed by a number, reflecting a cohesive and interconnected musical exploration. With a runtime of 56 minutes, Wooley is joined by Dre Hocevar on double bass, Brandon Lopez on bass, and Chris Pitsiokos on alto saxophone, creating a dynamic and engaging soundscape that pushes the boundaries of traditional jazz.
Wooley's unique minimalist poetry, inspired by the works of Aran Saroyan, adds a layer of depth and complexity to the music. The album's title, "Knknighgh," is as intriguing as the music itself, inviting listeners to delve into the avant-garde and free jazz elements that define this remarkable work. Whether you're a seasoned jazz enthusiast or a curious newcomer, "Knknighgh (Minimal Poetry For Aran Saroyan)" offers a captivating and thought-provoking listening experience that showcases Nate Wooley's innovative spirit and musical prowess.
