Krenek: Der Sprung über den Schatten, Op. 17

Album Description

Experience the captivating world of Ernst Krenek's "Der Sprung über den Schatten, Op. 17," a live opera recording that showcases the composer's unique blend of classical and modern influences. Released on February 1, 1993, this album is a testament to Krenek's innovative spirit and his significant contributions to the chamber music genre.

Spanning nearly two hours, this live performance features the Bielefeld Philharmonic Orchestra and the Bielefeld City Theater Chorus, conducted by David de Villiers. The opera is divided into three acts, each filled with a rich tapestry of arias, duets, choruses, and instrumental pieces that highlight Krenek's mastery of composition. From the lively "Foxandtrot" to the intricate "Fugue" and the grand "Finale," every track offers a glimpse into Krenek's creative genius.

The album is a live recording of a performance, capturing the energy and spontaneity of a live event. The performances by the orchestra and chorus, along with the soloists Thomas Brüning, Lynda Kemeny, Susan Maclean, Diana Amos, and John Pflieger, bring Krenek's score to life with passion and precision. The live setting adds an extra layer of authenticity, making this recording a valuable addition to any classical music enthusiast's collection.

"Der Sprung über den Schatten, Op. 17" is a remarkable work that stands out in Krenek's extensive catalog. It is a live recording that captures the essence of a live performance, offering listeners an opportunity to experience the opera as it was intended to be heard. Whether you are a longtime fan of Krenek's work or a newcomer to his music, this album is sure to impress with its depth, complexity, and sheer musical brilliance.

1 februari 1993

1993 CPO

About Ernst Krenek

Ernst Krenek, born in Vienna in 1900, was a prolific and versatile Austrian-American composer whose career spanned over seven decades, reflecting the major musical trends of the 20th century. Krenek's oeuvre is a testament to his insatiable curiosity and innovative spirit, encompassing styles from neoromantic tonality and neoclassicism to atonality, serialism, and even jazz influences. He was a prominent exponent of the serial technique and wrote a significant number of works using the twelve-tone system. Krenek's contributions to the piano concerto repertoire are particularly notable, standing alongside those of Bartók and Prokofiev. Beyond his compositional work, Krenek was also a prolific writer, penning several influential books on music. His journey took him from Vienna and Berlin to various universities in the US and Canada, where he taught and continued to compose until his passing in 1991. Krenek's music offers a rich and diverse sonic landscape, inviting exploration and discovery.