Immerse yourself in the timeless artistry of Victoria de los Ángeles with this exquisite collection of operatic arias and songs. Released by Les Indispensables de Diapason, "L'art de Victoria de los Ángeles" showcases the Spanish soprano's remarkable vocal prowess and interpretive depth, spanning a duration of 1 hour and 18 minutes. Recorded in 1981, this album is a testament to de los Ángeles' enduring legacy, featuring a diverse repertoire that highlights her versatility and mastery of the operatic form.
The album opens with a radiant performance of Mozart's "Exsultate, jubilate," followed by a selection of beloved arias from operas such as "Manon," "La bohème," and "Simon Boccanegra." De los Ángeles' voice shines in these pieces, demonstrating her ability to convey both tender lyricism and dramatic intensity. The album also includes lesser-known works, such as Debussy's "La damoiselle élue" and Falla's "Canciones epigramáticas," providing a comprehensive overview of her artistic range.
Joined by an ensemble of esteemed musicians, including Robert Merrill, Jussi Björling, and Dietrich Fischer-Dieskau, de los Ángeles delivers a captivating performance that underscores her status as one of the 20th century's most celebrated sopranos. Whether you're a seasoned opera enthusiast or a newcomer to the genre, this album offers a compelling introduction to the artistry of Victoria de los Ángeles and the enduring power of operatic music.
2020 Les Indispensables de Diapason, a trademark of Mondadori France Group2020 Les Indispensables de Diapason, a trademark of Mondadori France Group
Tracks
Exsultate, jubilate, K. 165/158a: I. Aria, "Exsultate, jubilate" (Allegro) - Recitative, "Fulget amica dies" - II. Aria, "Tu virginum corona" - III. Alleluja (Allegro)Wolfgang Amadeus Mozart, Victoria de los Ángeles, London Symphony Orchestra, Sir Adrian Boult
Manon, Act III Tableau 1 Scene 4: "Je marche sur tous les chemins ... Obéissons, quand leur voix appelle" (Manon, Jeunes Seigneurs)Jules Massenet, Victoria de los Ángeles, Choeurs et orchestre du théâtre national de l'Opéra Comique, Pierre Monteux, Orchestre Du Theatre National De L'Opera Comique
La bohème, SC 67, Act IV: "Sono andati? Fingevo di dormire ... La mia cuffietta!" (Mimi, Rodolfo, Schaunard, Marcello, Musetta)Giacomo Puccini, Victoria de los Ángeles, Jussi Björling, Lucine Amara, Robert Merrill, John Reardon, RCA Victor Orchestra, Sir Thomas Beecham
Mefistofele, Act III: "L'altra notte in fondo al mane" (Margherita)Arrigo Boito, Victoria de los Ángeles, Bell Telephone Hour Orchestra, Donald Voorhees
Tannhäuser, WWV 70, Act II Scene 1: "Dich, teure Halle" (Elisabeth) - "Dort ist sie" (Wolfram, Tannhäuser, Elisabeth) - "Gepriesen sei dies Wunder" (Elisabeth) - "Den Gott der Liebe sollst du preisen" (Tannhäuser, Elisabeth)Richard Wagner, Victoria de los Ángeles, Wolfgang Windgassen, Dietrich Fischer-Dieskau, Orchester der Bayreuther Festspiele, Wolfgang Sawallisch
Simon Boccanegra, Act I Scene 1: "Come in quest'ora bruna" (Amelia)Giuseppe Verdi, Victoria de los Ángeles, Orchestra Del Teatro Dell'Opera Di Roma, Gabriele Santini
La damoiselle élue, L. 69: "Je voudrais qu'il fût déjà près de moi" (La Damoiselle élue) - "Elle regarda, prêta l'oreille et dit" (Chorus, La Damoiselle élue)Claude Debussy, Victoria de los Ángeles, Radcliffe Choral Society, Boston Symphony Orchestra, Charles Münch
Il barbiere di Siviglia, Act I Scene 5: No. 9, Cavatina, "Una voce poco fa" (Rosina)Gioacchino Rossini, Victoria de los Ángeles, Royal Philharmonic Orchestra, Vittorio Gui
Canciones epigramáticas: No. 12, La presumida, "Bautizada en San Andrés" (Allegro moderato)Amadeu Vives i Roig, Victoria de los Ángeles, Gerald Moore
Canciones epigramáticas: No. 9, El retrato de Isabela, "Óyeme tu retrato, Niña Isabela" (Poco allegretto)Amadeu Vives i Roig, Victoria de los Ángeles, Gerald Moore
Judas Maccabaeus, HWV 63, Act III : No. 33, Aria, "So shall the lute and harp awake" (Israelitish Woman)George Frideric Handel, Victoria de los Ángeles, London Symphony Orchestra, Sir Adrian Boult
Giulio Cesare in Egitto, HWV 17, Act II Scene 2: No. 19, Aria, "V'adoro, pupille" (Cleopatra) - Recitativo, "Non ha in cielo il Tonante" (Cesare)George Frideric Handel, Victoria de los Ángeles, Richard Lewis, The Goldsbrough Orchestra, Arnold Goldsbrough
Victoria de los Ángeles, born in Barcelona in 1923, was one of the most celebrated lyric sopranos of the 20th century, renowned for her exquisite timbre and crystalline singing. Her voice, described as having a great beauty and transparency, captivated audiences worldwide. Victoria de los Ángeles' repertoire spanned both opera and lieder, with notable roles in works such as Carmen, La bohème, and Madama Butterfly. She was particularly acclaimed for her interpretations of Spanish songs and operatic parts, showcasing her unique strengths in Spanish vocal music. Throughout her career, Victoria de los Ángeles collaborated with esteemed artists like Jussi Björling and Alicia de Larrocha, leaving behind a legacy that continues to inspire. Her impact on the world of opera is celebrated through various events and foundations dedicated to preserving her artistic heritage and nurturing new talents.
Vinylscout
Victoria de los Ángeles
