L'olimpiade, EvaM 10:C12

Album Description

Immerse yourself in the rich, dramatic world of Baroque opera with Josef Mysliveček's "L'olimpiade, EvaM 10:C12," a captivating live recording that showcases the composer's mastery of the genre. Released on October 7, 2014, this album is a testament to Mysliveček's skill in crafting intricate, engaging narratives through music.

Spanning over two hours, this comprehensive recording features the complete opera, divided into three acts, each filled with arias and recitatives that bring the story of love, rivalry, and redemption to life. The album begins with a stirring sinfonia, setting the stage for the unfolding drama. Throughout the opera, Mysliveček's music deftly navigates the complexities of the characters' relationships, from tender moments of intimacy to intense scenes of conflict.

This recording is a rare opportunity to experience the power and beauty of Mysliveček's operatic style. The live performance captures the energy and immediacy of the stage, with each singer bringing their unique interpretation to the roles. The album is a valuable addition to any classical music collection, offering a deep dive into the world of 18th-century opera and the genius of Josef Mysliveček.

7 oktober 2014

2014 Bongiovanni

About Josef Mysliveček

Josef Mysliveček, born in Prague in 1737, was a pioneering Czech composer who left an indelible mark on the classical music scene of the late 18th century. Known affectionately as "Il Divino Boemo" (The Divine Bohemian), Mysliveček's operatic works, including "Triumf Klélie," "Bellerofontés," and "Antigona," captivated audiences across Italy, where he spent much of his career. His musical prowess and innovative style made him a leading figure in the transition from the Baroque to the Classical era. Mysliveček's friendship with Wolfgang Amadeus Mozart added another layer of intrigue to his legacy, as the two composers influenced each other's work. Despite his initial success and the acclaim he received, Mysliveček's later years were marked by financial struggles and health issues, culminating in his untimely death in Rome in 1781. His compositions, though less frequently performed today, continue to resonate with their timeless beauty and technical brilliance, offering a glimpse into the rich tapestry of 18th-century music.