Immerse yourself in the sacred and intricate world of Renaissance polyphony with Pierre de la Rue's "Masses," a stunning two-disc collection released by Fra Bernardo. This album showcases four of de la Rue's most revered masses, all composed during the final, prolific period of his career. Spanning over two hours, this extensive release offers a profound exploration of the composer's mastery of the choral form.
Pierre de la Rue, a leading figure of the Franco-Flemish Renaissance, stands alongside giants like Josquin Des Prez in the pantheon of Renaissance composers. His compositions are renowned for their complexity, beauty, and spiritual depth. This album features the Missa Almana, Missa de Sancto Antonio, Missa Puer natus est, and Missa Tous les regretz, each a testament to de la Rue's unparalleled skill in weaving intricate vocal lines and harmonies.
The performances on this album are brought to life by the acclaimed vocal quartet Beauty Farm, known for their precise and expressive interpretations of Renaissance music. Their renditions capture the essence of de la Rue's compositions, highlighting the composer's innovative use of canon, counterpoint, and harmonic richness.
"Masses" is a treasure trove for enthusiasts of early music and choral lovers alike. The album's meticulous production and the quartet's impeccable execution make it a standout release in the genre. Whether you are a seasoned fan of Renaissance polyphony or a newcomer to the genre, this collection offers a rich and rewarding listening experience.
Pierre de la Rue, born around 1460, was a renowned Franco-Flemish composer and singer of the Renaissance, celebrated for his significant contributions to the polyphonic style that flourished in the Netherlands around 1500. A contemporary of the legendary Josquin des Prez, de la Rue's music was highly prized at the Habsburg-Burgundian court, where he served as the pre-eminent composer under Duke Philip 'the Fair' of Burgundy. His compositions, which include the influential 'Missa pro defunctis' — one of the earliest polyphonic settings of the requiem — showcase his mastery of choral and sacred music. De la Rue's work is a testament to the rich musical heritage of the late fifteenth and early sixteenth centuries, making him a pivotal figure in the history of Renaissance music.
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