Immerse yourself in the resplendent world of Renaissance polyphony with Orlande de Lassus' "Cantiones Duarum Vocum," a captivating collection of duets that showcase the composer's mastery of the choral form. Released in 2013 by Tactus, this album is a treasure trove of medieval and choral music, featuring the ethereal beauty of Gregorian chant influences woven into intricate vocal tapestries.
Orlande de Lassus, a towering figure of the late Renaissance, presents a selection of his most enchanting two-voice compositions, each one a testament to his unparalleled skill in crafting harmonious and expressive music. The album spans a concise yet impactful 41 minutes, offering a concentrated dose of musical brilliance that will captivate both seasoned enthusiasts and newcomers to the genre.
The tracklist is a journey through the composer's oeuvre, featuring both named and unnamed pieces that highlight the diverse range of his compositional style. From the contemplative "Beatus vir qui in sapientia morabitur" to the uplifting "Fulgebunt iusti sicut lilium," each track is a masterclass in vocal harmony and textual expression.
"Cantiones Duarum Vocum" is not just an album; it is an experience that transports listeners to the sacred and secular spaces where these works would have originally resonated. The purity of the vocal lines and the intricate interplay between the two voices create a sense of intimacy and reverence that is both timeless and deeply moving. Whether you are a devotee of early music or simply seeking a moment of tranquility, this album is sure to leave a lasting impression.
2012 Tactus2012 Tactus
Tracks
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 1. Beatus vir qui in sapientia morabiturOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 18. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 12. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 15. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 16. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 19. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 4. Iustus cor suum tradet ad vigilandumOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 14. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 8. Sancti mei qui in isto seculoOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 10. Serve bone et fidelisOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 11. Fulgebunt iusti sicut liliumOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 5. Expectatio iustorum laetitiaOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 23. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 13. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 22. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 2. Beatus homo qui invenit sapientiamOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 17. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 24. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 3. Oculus non vidit, nec auris audivitOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 6. Qui sequitur me, non ambulat in tenebrisOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 9. Qui vult venire post meOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 21. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 7. Iusti tulerunt spolia impiorumOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 20. —Orlande de Lassus, Paolo Tognon, Claudio Verh
Orlande de Lassus, also known as Orlando di Lasso, was a towering figure of the late Renaissance, renowned for his prolific and diverse musical output. Born around 1532 in Mons, Belgium, Lassus's extraordinary vocal talents led him on a journey across Europe, serving various courts in Italy, France, and Germany. His compositions, numbering over 2,000, span nearly every vocal genre of his time, from sacred motets and Masses to secular chansons, demonstrating his unparalleled versatility and mastery of the polyphonic style. Lassus's music is celebrated for its deep connection to text, making it a profound and emotional experience for listeners. Often hailed as "The divine Orlando," his influence was immense, and his works were published more frequently than any other composer of his era. Lassus's legacy endures as one of the most celebrated and influential musicians of the Renaissance, standing alongside contemporaries like Giovanni Pierluigi da Palestrina and Tomás Luis de Victoria.
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Orlande de Lassus
