Immerse yourself in the timeless beauty of medieval choral music with "Lasso: Cantiones duum vocum" by Orlande de Lassus. This exquisite collection, released on June 3, 2014, under the Tactus label, offers a serene and spiritually uplifting experience that transcends the boundaries of time. Comprising 24 tracks, this album showcases the masterful compositional skills of Orlande de Lassus, a Renaissance composer renowned for his profound and evocative sacred music.
Each track in "Cantiones duum vocum" is a testament to Lassus' ability to weave intricate harmonies and melodic lines, creating a tapestry of sound that is both soothing and deeply moving. The album features a selection of duets, or "cantiones duum vocum," that highlight the purity and clarity of the human voice. From the opening track, "Beatus vir qui in sapientia morabitur," to the closing piece, "Sicut rosa inter spinas," the album is a journey through the rich tapestry of medieval choral music.
The album's duration of 59 minutes provides a perfect length for meditation, reflection, or simply enjoying the sublime beauty of Lassus' compositions. Whether you are a seasoned enthusiast of medieval music or a newcomer to the genre, "Lasso: Cantiones duum vocum" offers a captivating and enriching listening experience. Allow the ethereal vocals and harmonious arrangements to transport you to a place of tranquility and spiritual connection.
2014 Tactus2014 Tactus
Tracks
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 1, Beatus vir qui in sapientia morabiturOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 18, —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 12, Sicut rosa inter spinasOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 15, —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 16, —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 19, —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 4, Iustus cor suum tradet ad vigilandumOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 14, —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 8, Sancti mei qui in isto seculoOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 10, Serve bone et fidelisOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 11, Fulgebunt iusti sicut liliumOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 5, Expectatio iustorum laetitiaOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 23, —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 13, —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 22, —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 2, Beatus homo qui invenit sapientiamOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 17, —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 24, —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 3, Oculus non vidit, nec auris audivitOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 6, Qui sequitur me, non ambulat in tenebrisOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 9, Qui vult venire post meOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 21, —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 7, Iusti tulerunt spolia impiorumOrlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 20, —Orlande de Lassus, Paolo Tognon, Claudio Verh
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 1, Beatus vir qui in sapientia morabiturOrlande de Lassus, Armoniosoincanto, Franco Radicchia
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 2, Beatus homo qui invenit sapientiamOrlande de Lassus, Armoniosoincanto, Franco Radicchia
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 3, Oculus non vidit, nec auris audivitOrlande de Lassus, Armoniosoincanto, Franco Radicchia
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 4, Iustus cor suum tradet ad vigilandumOrlande de Lassus, Armoniosoincanto, Franco Radicchia
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 5, Expectatio iustorum laetitiaOrlande de Lassus, Armoniosoincanto, Franco Radicchia
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 6, Qui sequitur me, non ambulat in tenebrisOrlande de Lassus, Armoniosoincanto, Franco Radicchia
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 7, Iusti tulerunt spolia impiorumOrlande de Lassus, Armoniosoincanto, Franco Radicchia
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 8, Sancti mei qui in isto seculoOrlande de Lassus, Armoniosoincanto, Franco Radicchia
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 9, Qui vult venire post meOrlande de Lassus, Armoniosoincanto, Franco Radicchia
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 10, Serve bone et fidelisOrlande de Lassus, Armoniosoincanto, Franco Radicchia
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 11, Fulgebunt iusti sicut liliumOrlande de Lassus, Armoniosoincanto, Franco Radicchia
Novae aliquot et ante hac non ita usitatae cantiones suavissimae, "Cantiones duum vocum": No. 12, Sicut rosa inter spinasOrlande de Lassus, Armoniosoincanto, Franco Radicchia
Orlande de Lassus, also known as Orlando di Lasso, was a towering figure of the late Renaissance, renowned for his prolific and diverse musical output. Born around 1532 in Mons, Belgium, Lassus's extraordinary vocal talents led him on a journey across Europe, serving various courts in Italy, France, and Germany. His compositions, numbering over 2,000, span nearly every vocal genre of his time, from sacred motets and Masses to secular chansons, demonstrating his unparalleled versatility and mastery of the polyphonic style. Lassus's music is celebrated for its deep connection to text, making it a profound and emotional experience for listeners. Often hailed as "The divine Orlando," his influence was immense, and his works were published more frequently than any other composer of his era. Lassus's legacy endures as one of the most celebrated and influential musicians of the Renaissance, standing alongside contemporaries like Giovanni Pierluigi da Palestrina and Tomás Luis de Victoria.
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Orlande de Lassus
