Immerse yourself in the sacred and serene world of Renaissance polyphony with Orlande de Lassus' "Missa super Dixit Joseph & Motets." This exquisite collection, released in 2015, showcases the masterful compositional skills of one of the most renowned figures of the Franco-Flemish school, placing him alongside the likes of Palestrina and Victoria. The album is a testament to Lassus' profound understanding of vocal textures and his ability to weave intricate, harmonious tapestries.
At the heart of this album is the "Missa super Dixit Joseph," a parody mass based on the motet "Dixit Joseph undecim fratribus suis." This motet, published in 1564, narrates the biblical story of Joseph's reunion with his brothers and father, Jacob. Lassus' mass masterfully incorporates themes from this motet, creating a cohesive and spiritually uplifting musical experience.
The album also features a selection of motets that complement the mass, offering a diverse range of devotional and confessional expressions. These pieces reflect the Catholic Reform implemented at the Bavarian court during Lassus' lifetime, adding a historical and cultural depth to the music.
Performed by the esteemed vocal ensemble Cinquecento, this album is a treasure trove of choral beauty. The precise and expressive singing brings Lassus' compositions to life, highlighting the intricate polyphony and the profound spirituality of the music. With a duration of just over an hour, this album is a perfect introduction to the world of Renaissance choral music, offering a blend of historical significance, musical brilliance, and spiritual resonance.
Orlande de Lassus, also known as Orlando di Lasso, was a towering figure of the late Renaissance, renowned for his prolific and diverse musical output. Born around 1532 in Mons, Belgium, Lassus's extraordinary vocal talents led him on a journey across Europe, serving various courts in Italy, France, and Germany. His compositions, numbering over 2,000, span nearly every vocal genre of his time, from sacred motets and Masses to secular chansons, demonstrating his unparalleled versatility and mastery of the polyphonic style. Lassus's music is celebrated for its deep connection to text, making it a profound and emotional experience for listeners. Often hailed as "The divine Orlando," his influence was immense, and his works were published more frequently than any other composer of his era. Lassus's legacy endures as one of the most celebrated and influential musicians of the Renaissance, standing alongside contemporaries like Giovanni Pierluigi da Palestrina and Tomás Luis de Victoria.
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