Lassus: Requiem a 4; Prophetiae Sibyllarum

Immerse yourself in the profound and sacred sounds of the Renaissance with Orlande de Lassus' "Requiem a 4; Prophetiae Sibyllarum." This exquisite album, released on ECM New Series, offers a deeply spiritual and musically rich experience, showcasing the masterful compositional skills of one of the most renowned figures of the late Renaissance.

The album features two significant works by Orlande de Lassus: the "Missa pro defunctis a 4," a poignant and somber Requiem Mass, and the "Prophetiae Sibyllarum," a series of prophecies attributed to the Sibyls, ancient prophetesses who foretold the coming of Christ. These compositions are performed with meticulous attention to detail, capturing the essence of medieval and choral music.

The "Missa pro defunctis a 4" is a powerful and moving setting of the Requiem Mass, featuring intricate polyphony and a deep sense of reverence. Each movement, from the haunting "Memento mei Deus" to the serene "In paradisum," is performed with a clarity and precision that highlights the beauty of Lassus' compositional style.

The "Prophetiae Sibyllarum" is a fascinating exploration of the Sibylline tradition, featuring a series of prophecies sung by different Sibyls. Each prophecy is unique in its musical setting, ranging from the dramatic "Sibylla Persica" to the contemplative "Sibylla Cumana." The performances are marked by their clarity and expressiveness, bringing the ancient texts to life in a way that is both historically informed and musically compelling.

With a duration of just over an hour, this album is a comprehensive exploration of Lassus' sacred music, offering a deep dive into the composer's unique style and his enduring influence on the choral tradition. Whether you are a fan of medieval music, choral works, or Gregorian chant, this album is sure to captivate and inspire. The performances are conducted with a deep understanding of the historical context and musical style, resulting in a recording that is both authentic and engaging.