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Lee Konitz Plays
- 2013
- 13 tracks
- 42 min
- cool jazz
Album Description
Lee Konitz Plays, released on 1 January 2013 via Jazz Classics, is a captivating collection of jazz masterpieces that showcases the incredible talent of Lee Konitz. This 42-minute album is a treasure trove of cool jazz, jazz, bebop, and hard bop, featuring an array of enchanting tracks that will leave you spellbound.
From the opening notes of 'I'll Remember April' to the soulful melodies of 'You'd Be So Nice to Come to', Lee Konitz's unique sound weaves a sonic tapestry that is both intimate and expansive. The album's tracklist is a testament to Konitz's versatility, with renditions of timeless classics like 'All the Things You Are' and 'These Foolish Things', as well as bonus tracks 'Too Marvelous for Words' and 'Lover Man' that add an extra layer of depth to the overall listening experience.
With its rich blend of genres and Konitz's distinctive style, Lee Konitz Plays is an essential addition to any jazz enthusiast's collection. So sit back, relax, and let the smooth sounds of Lee Konitz transport you to a world of musical sophistication and elegance.
Tracks
- I'll Remember AprilLee Konitz
- Record Shop Suey (All the Things You Are)Lee Konitz
- Lee Tchee (These Foolish Things)Lee Konitz
- Young Lee (These Foolish Things)Lee Konitz
- You'd Be So Nice to Come toLee Konitz
- 4 Pm (These Foolish Things)Lee Konitz
- Lost Henri (I'll Remember April)Lee Konitz
- I'll Remember April - Alt. TkLee Konitz
- I'll Remember April - Alt. Tk 2Lee Konitz
- I'll Remember April - Alt. Tk 3Lee Konitz
- All The Things You Are - Alt. TkLee Konitz
- Too Marvelous for Words - Bonus TrackLee Konitz, Gerry Mulligan Quartet
- Lover Man - Bonus TrackLee Konitz, Gerry Mulligan Quartet
About Lee Konitz
Lee Konitz, a pioneering figure in modern jazz, was an American alto saxophonist and composer whose career spanned over seven decades. Born in 1927, Konitz was one of the few alto saxophonists of his generation not to be overshadowed by the legendary Charlie Parker. Instead, he carved out his own unique path, incorporating Parker's harmonic ideas while developing a distinctive, light yet expressive tone. Konitz's influence on cool jazz is immense, with his fluid creativity and harmonic sophistication setting him apart. His discography is a treasure trove of jazz gems, with standout tracks like "Subconscious-Lee" and "I'll Remember April" showcasing his masterful playing. Konitz's ability to evolve and adapt is evident in his extensive body of work, which spans genres from bebop to hard bop, making him a true jazz innovator.
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