Immerse yourself in the virtuosic world of Luigi Legnani, a celebrated Italian guitarist, composer, and instrument maker, with the captivating album "Legnani: Rossini Variations." Released on Naxos in 2017, this collection showcases Legnani's extraordinary talent and his deep admiration for the renowned composer Gioachino Rossini. The album features a stunning array of variations on themes from Rossini's operas, including "L'italiana in Algeri," "Guillaume Tell," "La donna del lago," "Zelmira," "La Cenerentola," and "Armida." Each piece is a testament to Legnani's technical prowess and his ability to evoke the rich orchestral colors of the guitar through breathtaking special techniques and imitative effects.
Spanning a duration of 1 hour and 13 minutes, the album offers a comprehensive exploration of Legnani's compositions, highlighting his unique ability to capture the essence of Rossini's melodies and transform them into intricate and captivating guitar pieces. The album is a must-listen for fans of classical guitar and opera, offering a fresh perspective on some of the most beloved themes in the classical repertoire. Whether you're a seasoned enthusiast or a newcomer to the world of classical guitar, "Legnani: Rossini Variations" promises an enriching and enjoyable listening experience.
(C) 2017 Naxos(P) 2017 Naxos
Tracks
Gran sinfonia, Op. 2 (After Sinfonia from Rossini's "L'italiana in Algeri"): I. LargoLuigi Legnani, Marcello Fantoni
Gran sinfonia, Op. 2 (After Sinfonia from Rossini's "L'italiana in Algeri"): II. Allegro spiritosoLuigi Legnani, Marcello Fantoni
Guillaume Tell Overture, Op. 202 (After Overture to Rossini's "Guillaume Tell"): I. AndanteLuigi Legnani, Marcello Fantoni
Guillaume Tell Overture, Op. 202 (After Overture to Rossini's "Guillaume Tell"): II. Allegro vivaceLuigi Legnani, Marcello Fantoni
Ai capricci della sorte, Op. 5 (After Rossini's "L'italiana in Algeri"): I. AllegrettoLuigi Legnani, Marcello Fantoni
Ai capricci della sorte, Op. 5 (After Rossini's "L'italiana in Algeri"): II. AllegroLuigi Legnani, Marcello Fantoni
Languir per una bella, Op. 7 (After Rossini's "L'italiana in Algeri"): I. Andante graziosoLuigi Legnani, Marcello Fantoni
Languir per una bella, Op. 7 (After Rossini's "L'italiana in Algeri"): II. AllegrettoLuigi Legnani, Marcello Fantoni
Pensa alla patria, Op. 8 (After Rossini's "L'italiana in Algeri"): I. Allegro maestosoLuigi Legnani, Marcello Fantoni
Pensa alla patria, Op. 8 (After Rossini's "L'italiana in Algeri"): II. ModeratoLuigi Legnani, Marcello Fantoni
Pensa alla patria, Op. 8 (After Rossini's "L'italiana in Algeri"): III. AllegroLuigi Legnani, Marcello Fantoni
Variations on "O quante lagrime" from Rossini's "La donna del lago", Op. 18: Tema. AllegroLuigi Legnani, Marcello Fantoni
Variations on "O quante lagrime" from Rossini's "La donna del lago", Op. 18: Var. 1, —Luigi Legnani, Marcello Fantoni
Variations on "O quante lagrime" from Rossini's "La donna del lago", Op. 18: Var. 2, —Luigi Legnani, Marcello Fantoni
Variations on "O quante lagrime" from Rossini's "La donna del lago", Op. 18: Var. 3, —Luigi Legnani, Marcello Fantoni
Variations on "O quante lagrime" from Rossini's "La donna del lago", Op. 18: Var. 4, —Luigi Legnani, Marcello Fantoni
Variations on "O quante lagrime" from Rossini's "La donna del lago", Op. 18: Var. 5, LargoLuigi Legnani, Marcello Fantoni
Variations on "O quante lagrime" from Rossini's "La donna del lago", Op. 18: Var. 6, AllegroLuigi Legnani, Marcello Fantoni
Variations on "O quante lagrime" from Rossini's "La donna del lago", Op. 18: CodaLuigi Legnani, Marcello Fantoni
Introduction & Variations on "Sorte secondami" from Rossini's "Zelmira", Op. 21: Introduzione. Largo cantabileLuigi Legnani, Marcello Fantoni
Introduction & Variations on "Sorte secondami" from Rossini's "Zelmira", Op. 21: Tema. Allegro moderatoLuigi Legnani, Marcello Fantoni
Introduction & Variations on "Sorte secondami" from Rossini's "Zelmira", Op. 21: Var. 1, Più mossoLuigi Legnani, Marcello Fantoni
Introduction & Variations on "Sorte secondami" from Rossini's "Zelmira", Op. 21: Var. 2, Più lentoLuigi Legnani, Marcello Fantoni
Introduction & Variations on "Sorte secondami" from Rossini's "Zelmira", Op. 21: Var. 3, Tempo ILuigi Legnani, Marcello Fantoni
Introduction & Variations on "Sorte secondami" from Rossini's "Zelmira", Op. 21: Var. 4, —Luigi Legnani, Marcello Fantoni
Introduction & Variations on "Sorte secondami" from Rossini's "Zelmira", Op. 21: Var. 5, Minore, un poco più moderatoLuigi Legnani, Marcello Fantoni
Introduction & Variations on "Sorte secondami" from Rossini's "Zelmira", Op. 21: Var. 6, Allegro brillanteLuigi Legnani, Marcello Fantoni
Introduction & Variations on "Sorte secondami" from Rossini's "Zelmira", Op. 21: CodaLuigi Legnani, Marcello Fantoni
Variations on "La mia spada, e la più fida" from Rossini's "La donna del lago", Op. 24: Tema. VivaceLuigi Legnani, Marcello Fantoni
Variations on "La mia spada, e la più fida" from Rossini's "La donna del lago", Op. 24: Var. 1, —Luigi Legnani, Marcello Fantoni
Variations on "La mia spada, e la più fida" from Rossini's "La donna del lago", Op. 24: Var. 2, —Luigi Legnani, Marcello Fantoni
Variations on "La mia spada, e la più fida" from Rossini's "La donna del lago", Op. 24: Var. 3, —Luigi Legnani, Marcello Fantoni
Variations on "La mia spada, e la più fida" from Rossini's "La donna del lago", Op. 24: Var. 4, —Luigi Legnani, Marcello Fantoni
Variations on "La mia spada, e la più fida" from Rossini's "La donna del lago", Op. 24: Var. 5, LargoLuigi Legnani, Marcello Fantoni
Variations on "La mia spada, e la più fida" from Rossini's "La donna del lago", Op. 24: Var. 6, VivaceLuigi Legnani, Marcello Fantoni
Variations on "La mia spada, e la più fida" from Rossini's "La donna del lago", Op. 24: CodaLuigi Legnani, Marcello Fantoni
Variations on "Non più mesta accanto al fuoco" from Rossini's "La Cenerentola", Op. 30: IntroduzioneLuigi Legnani, Marcello Fantoni
Variations on "Non più mesta accanto al fuoco" from Rossini's "La Cenerentola", Op. 30: Tema. AndantinoLuigi Legnani, Marcello Fantoni
Variations on "Non più mesta accanto al fuoco" from Rossini's "La Cenerentola", Op. 30: Var. 1, —Luigi Legnani, Marcello Fantoni
Variations on "Non più mesta accanto al fuoco" from Rossini's "La Cenerentola", Op. 30: Var. 2, —Luigi Legnani, Marcello Fantoni
Variations on "Non più mesta accanto al fuoco" from Rossini's "La Cenerentola", Op. 30: Var. 3, —Luigi Legnani, Marcello Fantoni
Variations on "Non più mesta accanto al fuoco" from Rossini's "La Cenerentola", Op. 30: Var. 4, —Luigi Legnani, Marcello Fantoni
Variations on "Non più mesta accanto al fuoco" from Rossini's "La Cenerentola", Op. 30: Var. 5, —Luigi Legnani, Marcello Fantoni
Variations on "Non più mesta accanto al fuoco" from Rossini's "La Cenerentola", Op. 30: Var. 6, —Luigi Legnani, Marcello Fantoni
Variations on "Non più mesta accanto al fuoco" from Rossini's "La Cenerentola", Op. 30: CodaLuigi Legnani, Marcello Fantoni
Variations on "Cara, per te quest'anima" from Rossini's "Armida": Largo marzialeLuigi Legnani, Marcello Fantoni
Variations on "Cara, per te quest'anima" from Rossini's "Armida": Tema. AndnateLuigi Legnani, Marcello Fantoni
Variations on "Cara, per te quest'anima" from Rossini's "Armida": Var. 1, —Luigi Legnani, Marcello Fantoni
Variations on "Cara, per te quest'anima" from Rossini's "Armida": Var. 2, —Luigi Legnani, Marcello Fantoni
Variations on "Cara, per te quest'anima" from Rossini's "Armida": Var. 3, —Luigi Legnani, Marcello Fantoni