Leighton: Sonatina No. 2, Five Studies, Fantasia contrappuntistica, Pieces for Angela & Four Romantic Pieces

Album Description

Kenneth Leighton, a prominent figure in 20th-century British music, presents a captivating collection of his works in this album, released on April 1, 2000, under the Chandos label. Spanning a duration of 1 hour and 7 minutes, this album is a testament to Leighton's versatility and mastery of choral composition. The album features a diverse range of pieces, each showcasing Leighton's unique style and his deep understanding of musical structure and expression.

The album opens with the Sonatina No. 2, a work that exemplifies Leighton's ability to blend classical forms with modern sensibilities. Following this, the Five Studies, Op. 22, offer a series of contrasting movements that highlight Leighton's compositional prowess. The Fantasia contrappuntistica, Op. 24, "Homage to Bach," is a standout piece, paying tribute to the great Baroque master while forging its own distinctive path.

Leighton's affinity for evocative titles and narrative-inspired music is evident in the Pieces for Angela, Op. 47. Each movement, from "Clockwork Doll" to "Final Fanfare," paints a vivid picture and tells a story through sound. The album concludes with the Four Romantic Pieces, Op. 95, which, despite their title, are far from sentimental, instead offering a rich tapestry of musical ideas and techniques.

This album is a comprehensive introduction to Kenneth Leighton's choral works, offering a glimpse into his evolution as a composer from 1929 to 1988. Whether you're a longtime admirer of Leighton's music or a newcomer to his work, this album is sure to captivate and inspire.

1 april 2000

2000 Chandos Records

About Kenneth Leighton

Kenneth Leighton, born in Wakefield in 1929, was a distinguished British composer and pianist whose musical journey was as rich and varied as the landscapes of his beloved Scotland. Beginning his musical education as a chorister at Wakefield Cathedral, Leighton's early prowess earned him the LRAM Piano Performer's Diploma while still in school. His academic pursuits led him to Oxford, where he studied Classics, but his heart remained in music, influenced by notable figures like Gerald Finzi, Edmund Rubbra, and Vaughan Williams. Leighton's compositions span a wide range of genres, from church and choral music to concertos, symphonies, and even an opera. His distinctive style, a blend of English and Italian traditions, is evident in his ten mass settings alone, each in a different language and style. As a teacher at universities in Leeds, Oxford, and primarily Edinburgh, Leighton's influence extended beyond his own compositions, inspiring generations of musicians. His legacy endures in his extensive body of work, which continues to captivate audiences with its depth and talent.