Thomas Agergaard's "Little Machines" is a captivating journey into the world of avant-garde jazz, released in 2003 under the Stunt Records label. This album, featuring the Jazzpar 2002 Octet, is a testament to Agergaard's mastery of the tenor saxophone and his innovative compositional skills. With a runtime of 58 minutes, the album comprises ten tracks that seamlessly blend jazz and free jazz elements, creating a unique and engaging listening experience.
The album showcases an impressive ensemble of musicians, including Géraldine Keller on vocals, Peter Fuglsang on saxophone and bass clarinet, Klaus Löhrer on bass trombone and tuba, Hank Roberts on cello, Krister Jonsson on guitar, Miroslav Vitous on bass, and Jim Black on drums. This diverse lineup contributes to the rich tapestry of sounds that define "Little Machines."
Each track on "Little Machines" offers a distinct flavor, from the intricate melodies of "Orion's Belt" to the experimental sounds of "Free Duet Thursday," "Free Duet Friday," and "Free Duet Saturday." The album's standout pieces, such as "70 Virgins" and "Wings Of Water," highlight Agergaard's ability to push the boundaries of traditional jazz, incorporating elements of free jazz and avant-garde music.
Recorded and mixed in February 2003 at the Danish Broadcasting Corporation (DR), "Little Machines" benefits from high-quality production, ensuring that every nuance of the performance is captured. The album's big-sized cardboard sleeve and stereo format add to its collectible appeal, making it a valuable addition to any jazz enthusiast's collection.
"Little Machines" is not just an album; it's a testament to Thomas Agergaard's artistic vision and his contributions to the jazz genre. Whether you're a seasoned jazz aficionado or a curious newcomer, this album offers a rich and rewarding listening experience that showcases the best of contemporary jazz.
Thomas Agergaard is a versatile and experimental Danish composer, saxophonist, and flutist renowned for his distinctive Nordic sound and deep roots in the American jazz tradition. Born in 1962, Agergaard has honed his craft over decades, collaborating with legendary musicians such as John Tchicai, Miroslav Vitous, and Marilyn Mazur. His music seamlessly blends jazz with avant-garde and classical elements, reflecting influences from Wayne Shorter and John Coltrane to John Cage.
Agergaard's career is marked by innovation and versatility. He has served as a composer-in-residence and has been recognised with numerous awards, including the Danish Jazz Federation's Honour Prize and multiple grants from the Danish Arts Foundation. Whether performing with his quartet, collaborating with other renowned artists, or composing for unique ensembles like the trio that incorporates paper into their performances, Thomas Agergaard continues to push the boundaries of jazz, creating music that is both intellectually stimulating and emotionally resonant.
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