"Little Things Left Behind 1988 - 1998" by Roger Eno is a meticulously curated double album that spans a decade of the composer's ambient, neoclassical, and minimalist works. Released on November 11, 2013, under All Saints Records, this collection features 40 tracks culled from five of Eno's albums, offering a comprehensive journey through his evocative and atmospheric soundscapes.
The album is housed in a beautifully designed gatefold sleeve, adorned with warmly atmospheric photographs by Cecily Eno, adding a tactile and visual dimension to the auditory experience. With a total duration of over two hours, the album provides an immersive exploration of Eno's unique musical language, characterized by its delicate textures, subtle melodies, and serene ambiance.
"Little Things Left Behind 1988 - 1998" showcases Eno's mastery of ambient music, with tracks like "Between Tides," "Field of Gold," and "The Silent Hours" exemplifying his ability to create evocative soundscapes that transport the listener to tranquil, introspective spaces. The album's neoclassical influences are evident in pieces such as "Winter Music" and "The Wonderful Year," where Eno's compositions blend classical structures with contemporary sensibilities.
Minimalism is another key component of Eno's musical palette, with tracks like "The Hunch" and "Docet Umbra" demonstrating his skill in crafting intricate, layered soundscapes from sparse, repetitive motifs. The album's diverse range of influences and styles is united by Eno's signature approach to composition, which prioritizes subtlety, nuance, and a deep sense of space.
Whether you're a longtime fan of Roger Eno's work or a newcomer to his music, "Little Things Left Behind 1988 - 1998" offers a rich and rewarding listening experience. The album's thoughtful curation, beautiful packaging, and evocative soundscapes make it a standout release in Eno's discography and a testament to his enduring influence on ambient and experimental music.