"Looking," the 2002 avant-garde jazz album from Uwe Oberg, is a captivating exploration of sound and improvisation, featuring a unique collaboration with guzheng player Xu Fengxia. Released under the NurNichtNur label, this 16-track album spans 53 minutes of free-form jazz that pushes the boundaries of conventional music structures. The album's title track, "Looking At Does," sets the tone for an album that is as intriguing as it is innovative. Throughout the album, Oberg and Fengxia weave together elements of traditional Chinese music and avant-garde jazz, creating a sonic landscape that is both familiar and otherworldly.
Fengxia's guzheng, often compared to the Japanese koto, adds a rich, microtonal texture to the album, while Oberg's improvisational skills drive the music forward. Tracks like "Volume, Two" and "Five And Some More" showcase the duo's ability to blend structured compositions with spontaneous improvisation. The album's diverse tracklist, featuring pieces with titles like "Tricky" and "From The Center," hints at the wide range of moods and styles explored within its duration.
"Looking" is not just an album; it's an experience that challenges and engages the listener from start to finish. Whether you're a seasoned jazz enthusiast or a curious explorer of avant-garde music, "Looking" offers a fresh and exciting listen. Dive into the world of Uwe Oberg and Xu Fengxia, and discover the beauty of their unique musical dialogue.
Uwe Oberg is a captivating German pianist and composer who has carved out a unique niche at the intersection of jazz and new improvised music. Born in Offenbach am Main in 1962, Oberg began his musical journey at the age of seven and transitioned to jazz in the 1980s. His work is characterised by a seamless blend of American and European improvised music styles, making him one of the most intriguing pianists in the realm of free jazz and avant-garde.
Oberg's discography is extensive and diverse, featuring solo piano albums, trio and quartet records, and collaborations with renowned musicians such as saxophonist Evan Parker and guzheng player Xu Fengxia. His performances are known for their economic yet expressive style, showcasing his abundant skill and resourcefulness. In addition to his recorded work, Oberg is a sought-after film pianist, accompanying silent films with his unique blend of jazz and contemporary music. His live performances are not to be missed, offering an immersive experience that transcends traditional concert settings.
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