Lopatnikoff: Concerto for Two Pianos - Tansman: Suite for Two Pianos - Malpiero: Dialoghi VII

Dorothy Jonas presents a captivating collection of avant-garde and minimalist compositions in her 1996 album, "Lopatnikoff: Concerto for Two Pianos - Tansman: Suite for Two Pianos - Malpiero: Dialoghi VII." This album showcases Jonas's exceptional skill and versatility as a pianist, accompanied by an orchestra, in a diverse range of pieces that push the boundaries of classical music.

The album opens with Lopatnikoff's Concerto for Two Pianos, a dynamic and energetic piece that immediately draws the listener in. The three-movement concerto is a testament to Jonas's technical prowess and her ability to convey a wide range of emotions through her playing.

Next, the album features Tansman's Suite for Two Pianos and Orchestra, a work that blends minimalist and impressionist elements to create a hauntingly beautiful soundscape. The suite is divided into several movements, each with its own distinct character and mood, from the playful "Perpetuum mobile" to the intricate and complex "Double Fugue - Finale."

Finally, the album concludes with Malpiero's Dialoghi VII, a three-movement piece that explores the dialogue between the two pianos and the orchestra. Jonas's playing is particularly impressive in the final movement, where she navigates a complex and challenging score with ease and grace.

Throughout the album, Jonas's playing is characterized by a deep sense of musicality and a keen ear for detail. Her interpretations of these challenging and often abstract pieces are both insightful and deeply moving, making this album a standout in her discography. With a total runtime of 51 minutes, this album is a testament to Dorothy Jonas's artistry and a must-listen for fans of avant-garde and minimalist music.