Immerse yourself in the rich tapestry of 19th-century German opera with Albert Lortzing's "Hans Sachs," a captivating release from the Walhall Eternity Series. This album, released in February 2015, offers a comprehensive exploration of Lortzing's operatic genius, encapsulating the essence of his unique style and storytelling prowess.
"Hans Sachs" is a delightful opera in three acts, based on the play by Johann Ludwig Deinhardstein and adapted by Philipp Reger. The album features a stellar cast of vocalists, including Karl Schmitt-Walter, Friederike Sailer, and Richard Volker, accompanied by the Frankisches Landesorchester and the Nürnberger Singgemeinschaft under the baton of Max Loy. The performance is a testament to Lortzing's ability to blend humor, drama, and musical brilliance, making it a standout piece in his repertoire.
The opera follows the life of Hans Sachs, a cobbler and poet in 16th-century Nuremberg, and his interactions with various characters, including his apprentice, his love interest Kunigunde, and other townsfolk. The album's 27 tracks, spanning over 1 hour and 29 minutes, capture the operatic dialogue and arias that bring this historical tale to life. From the stirring overture to the poignant arias and lively ensembles, each piece showcases Lortzing's mastery of operatic form and his keen ear for melody.
Albert Lortzing, born into a theatrical family, was a prolific opera-composer and librettist, known for his contributions to the German operetta and opera genres. His works often reflect his theatrical background, blending comedy, drama, and social commentary. "Hans Sachs" is no exception, offering a rich and engaging narrative that resonates with audiences today.
This album is a treasure trove for opera enthusiasts and those looking to explore the works of Albert Lortzing. The high-quality recording and the talented performers bring Lortzing's music to life, making it a valuable addition to any classical music collection. Whether you are familiar with Lortzing's work or discovering it for the first time, "Hans Sachs" promises an enriching and enjoyable listening experience.
2015 Walhall Eternity Series2015 Walhall Eternity Series
Tracks
Hans Sachs: OvertureAlbert Lortzing, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Max Loy
Hans Sachs: DialogueAlbert Lortzing, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Max Loy
Hans Sachs: Verlassen mich? O scherze doch so grausam nicht! (Kunigunde)Albert Lortzing, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Max Loy
Hans Sachs: DialogueAlbert Lortzing, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Loy
Hans Sachs: Die schusterzunft bleibt immer noch (Gorg)Albert Lortzing, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Max Loy
Hans Sachs: DialogueAlbert Lortzing, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Max Loy
Hans Sachs: Wo bist du, sachs? Hat mich ein Traum umfangen? (Sachs)Albert Lortzing, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Max Loy
Hans Sachs: Zwei dinge sind's, die hoch den mann erheben (Sachs)Albert Lortzing, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Max Loy
Hans Sachs: DialogueAlbert Lortzing, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Loy
Hans Sachs: Was hor' ich? Ich seid der brautigam? (Kunigunde)Albert Lortzing, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Max Loy
Hans Sachs: DialogueAlbert Lortzing, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Max Loy
Hans Sachs: Sehnsuchtsvoll mit suem bangen (Kunigunde)Albert Lortzing, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Max Loy
Hans Sachs: DialogueAlbert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Max Loy
Hans Sachs: Der Meister kommt (Gorg)Albert Lortzing, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Max Loy
Hans Sachs: O Kind voll Unshuld und Liebe (Sachs)Albert Lortzing, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Max Loy
Hans Sachs: DialogueAlbert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Max Loy
Hans Sachs: Macht doch der Verwirrung ein End' (Chorus)Albert Lortzing, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Max Loy
Hans Sachs: Zwei Dinges sind es, die den Mann begeistern (Sachs)Albert Lortzing, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Max Loy
Hans Sachs: Herr Absolom emporte sich (Eoban)Albert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Max Loy
Hans Sachs: Ihr habet mir, dem schlichten Mann (Sachs)Albert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
Hans Sachs: DialogueAlbert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
Hans Sachs: Seht dorthin, ihr Burger (Steffen)Albert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
Hans Sachs: DialogueAlbert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
Hans Sachs: So ist's, von mir ist das Gedicht (Eoban)Albert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
Hans Sachs: Ewig wurde ich freuen (Eoban)Albert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
Hans Sachs: Ewig wurd' ich freuen (Sachs)Albert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
Hans Sachs: Nicht Reichtum macht das Leben schon (Sachs)Albert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
Albert Lortzing, a multifaceted German artist, left an indelible mark on the world of opera with his versatile talents as a composer, librettist, actor, and singer. Born in 1801, Lortzing's career spanned various artistic disciplines, making him a key figure in the development of the German Spieloper, a form akin to the French opéra comique. His works, which include a dozen notable stage productions, are celebrated for their wit, charm, and deep connection to German national heritage. Despite a life cut short at the age of fifty, Lortzing's compositions continue to captivate audiences with their timeless appeal. Among his notable works are "Regina" and "Undine," each offering a unique blend of drama and musical innovation. Lortzing's legacy endures, inspiring both performers and enthusiasts alike with his rich and diverse contributions to the operatic canon.
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