Dive into the avant-garde world of Conlon Nancarrow with "Lost Works, Last Works," a compelling collection of compositions and interviews released in January 2000 under the Other Minds label. This album offers a unique glimpse into the innovative mind of Nancarrow, featuring a blend of his experimental piano works, string quartet movements, and musique concrete pieces, all performed by the composer himself or the renowned artist Trimpin.
Recorded between 1977 and 1999 in Mexico City and San Francisco, the tracks showcase Nancarrow's distinctive style and his pioneering use of mechanical systems to achieve complex rhythmic structures. The album includes pieces like "Sonatina For Piano" and "String Quartet No.1," demonstrating his mastery of composition and his ability to push the boundaries of traditional music.
In addition to the musical selections, "Lost Works, Last Works" includes a series of interviews with Charles Amirkhanian, providing valuable insights into Nancarrow's creative process, his influences, and his perspectives on music and art. These interviews add a personal touch to the album, allowing listeners to connect with the composer on a deeper level.
With a duration of 59 minutes, this album is a testament to Nancarrow's enduring legacy in the world of avant-garde music. Whether you're a longtime fan or a newcomer to his work, "Lost Works, Last Works" offers a rich and rewarding listening experience that highlights the genius of Conlon Nancarrow.
2000 Other Minds2000 Other Minds
Tracks
Prelude For Piano: Performed by Trimpin, August 1999, Yerba Buena Center for the Arts, San FranciscoConlon Nancarrow, Trimpin
Blues For Piano: Performed by Trimpin, August 1999, Yerba Buena Center for the Arts, San FranciscoConlon Nancarrow, Trimpin
Sonatina For Piano - Presto: Performed by Nancarrow, April 1977, Mexico CityConlon Nancarrow
Sonatina For Piano - Moderato: Performed by Nancarrow, April 1977, Mexico CityConlon Nancarrow
Sonatina For Piano - Allegro Molto: Performed by Nancarrow, April 1977, Mexico CityConlon Nancarrow
String Quartet No.1 - Allegro Molto (1st movement): Performed by Nancarrow, April 1977, Mexico CityConlon Nancarrow
String Quartet No.1 - Prestissimo (3rd movement): Performed by Nancarrow, April 1977, Mexico CityConlon Nancarrow
Piece For Tape (undated): Performed by Nancarrow, musique concreteConlon Nancarrow
Study No. 30 For Prepared Piano (undated): Performed by Nancarrow, Mexico City, recording commissioned by composerConlon Nancarrow
Para Yoko: Performed by Trimpin, August 1999, Yerba Buena Center for the Arts, San FranciscoConlon Nancarrow, Trimpin
Study No.50: Performed by Trimpin, August 1999, Yerba Buena Center for the Arts, San FranciscoConlon Nancarrow, Trimpin
Study No.51 ("3750"): Performed by Trimpin, August 1999, Yerba Buena Center for the Arts, San FranciscoConlon Nancarrow, Trimpin
Contraption No. 1: Performed by Trimpin, August 1999, Yerba Buena Center for the Arts, San FranciscoConlon Nancarrow, Trimpin
Interview - Making the hole-punching machine: Interview with Charles Amirkhanian, recorded in Mexico City, April 1977Conlon Nancarrow, Charles Amirkhanian
Interview - How long does it take to punch a roll?: Interview with Charles Amirkhanian, recorded in Mexico City, April 1977Conlon Nancarrow, Charles Amirkhanian
Interview - Terraced Dynamics: Interview with Charles Amirkhanian, recorded in Mexico City, April 1977Conlon Nancarrow, Charles Amirkhanian
Interview - Ethnic music connections: Interview with Charles Amirkhanian, recorded in Mexico City, April 1977Conlon Nancarrow, Charles Amirkhanian
Interview - Favourite Jazz Artists: Interview with Charles Amirkhanian, recorded in Mexico City, April 1977Conlon Nancarrow, Charles Amirkhanian
Interview - Canons: Interview with Charles Amirkhanian, recorded in Mexico City, April 1977Conlon Nancarrow, Charles Amirkhanian
Interview - Musical Activity in Mexico: Interview with Charles Amirkhanian, recorded in Mexico City, April 1977Conlon Nancarrow, Charles Amirkhanian
Interview - Diego Rivera: Interview with Charles Amirkhanian, recorded in Mexico City, April 1977Conlon Nancarrow, Charles Amirkhanian