Immerse yourself in the timeless elegance of medieval music with "Machaut: 2 Polyphonic Lais" by Guillaume de Machaut. This exquisite collection, released in 1983 under the Decca Music Group Ltd. label, offers a captivating journey through the intricate and beautiful compositions of one of the most influential figures of the 14th century. With a duration of 48 minutes, this album is a treasure trove of medieval, Gregorian chant, and classical genres, showcasing the mastery of Guillaume de Machaut.
The album features two of Machaut's most renowned polyphonic lais: "Je ne cesse de prier 'Le lay de la fonteinne'" and "Un lay de consolation." These compositions are performed with meticulous attention to detail, bringing to life the rich textures and harmonies that define Machaut's unique style. The tracks are carefully curated to highlight the poetic and musical genius of the composer, offering a profound experience for both casual listeners and aficionados of medieval music.
"Machaut: 2 Polyphonic Lais" is not just an album; it is a testament to the enduring legacy of Guillaume de Machaut. His works, characterized by their complexity and beauty, continue to inspire and captivate audiences centuries after their creation. This album is a celebration of his artistry, providing a window into the musical and literary traditions of the medieval period. Whether you are a fan of classical music, medieval history, or simply appreciate the beauty of well-crafted compositions, this album is sure to delight and enchant.
Je ne cesse de prier "Le lay de la fonteinne", Lai 16 (11): I. Je ne cesse de prier a ma dame chiereGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Je ne cesse de prier "Le lay de la fonteinne", Lai 16 (11): II. Et ou pourroit on querirGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Je ne cesse de prier "Le lay de la fonteinne", Lai 16 (11): III. C'est celle qui par ordonnanceGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Je ne cesse de prier "Le lay de la fonteinne", Lai 16 (11): IV. Ces trois un a po de pienne, assez prouver puisGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Je ne cesse de prier "Le lay de la fonteinne", Lai 16 (11): V. Et qui de ceste eaue prendroitGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Je ne cesse de prier "Le lay de la fonteinne", Lai 16 (11): VI. Mais ceste trinité est en eternitéGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Je ne cesse de prier "Le lay de la fonteinne", Lai 16 (11): VII. De la duis le Pere nommeGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Je ne cesse de prier "Le lay de la fonteinne", Lai 16 (11): VIII. Et pour ce di que cil troy de no foyGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Je ne cesse de prier "Le lay de la fonteinne", Lai 16 (11): IX. Pour ce te priGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Je ne cesse de prier "Le lay de la fonteinne", Lai 16 (11): X. Mais de tel confort com de plourer fortGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Je ne cesse de prier "Le lay de la fonteinne", Lai 16 (11): XI. He! fonteinne de concordeGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Je ne cesse de prier "Le lay de la fonteinne", Lai 16 (11): XII. Pour laver et nettoierGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Un lay de consolation, Lai 23 (17): I-II. Pour ce que plus proprementGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Un lay de consolation, Lai 23 (17): III-IV. Je fui, ma dame de prisGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Un lay de consolation, Lai 23 (17): V. Et quant je me senti a ce menéGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Un lay de consolation, Lai 23 (17): VI-VII. Et vous, ma dame honoréeGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Un lay de consolation, Lai 23 (17): VIII-IX. Ainsi departantGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Un lay de consolation, Lai 23 (17): X-XI. Et ce m'a tenu de joieGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Un lay de consolation, Lai 23 (17): XII-XIII. Helas! celle douce vieGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Un lay de consolation, Lai 23 (17): XIV-XV. Quar ce que j'ay plus doubté que mourirGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Un lay de consolation, Lai 23 (17): XVI-XVII. Et elle est, a dire voirGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Un lay de consolation, Lai 23 (17): XVIII-XIX. Je ne sçayGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Un lay de consolation, Lai 23 (17): XX. Ma tres doulce dame excellenteGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Un lay de consolation, Lai 23 (17): XXI-XXII. Amis, tieng certainnementGuillaume de Machaut, The Medieval Ensemble Of London, Peter Davies, Timothy Davies
Here is a short description of the artist:
Guillaume de Machaut is a renowned medieval composer, known for his contributions to the classical music scene, particularly in the genres of medieval and Gregorian chant music.
Translation to English (UK) is not necessary as the description is already in English, but I can provide it in British English spelling if needed:
Guillaume de Machaut is a renowned medieval composer, known for his contributions to the classical music scene, particularly in the genres of medieval and Gregorian chant music.
Note: Since English (US) and English (UK) are very similar, the translation is almost identical. The only possible difference could be in spelling, such as "renowned" (which is the same in both US and UK English), or vocabulary, which is not the case here.
Vinylscout
Guillaume de Machaut
