Immerse yourself in the enchanting world of classical opera with Magdalena Kožená's captivating album, "Magdalena Kozená - Mozart / Gluck / Myslivecek Arias." This exquisite collection, released on January 1, 2001, under the prestigious Deutsche Grammophon label, showcases Kožená's extraordinary vocal prowess and artistic versatility. Spanning a concise yet impactful 68 minutes, the album is a testament to her ability to breathe life into the works of Mozart, Gluck, and Myslivecek.
The tracklist is a carefully curated journey through some of the most beloved and iconic arias from the opera repertoire. From Mozart's timeless masterpieces like "La clemenza di Tito" and "Le nozze di Figaro" to Gluck's "Paride ed Elena" and Myslivecek's "Lucio Silla," Kožená's renditions are nothing short of breathtaking. Each aria is a showcase of her technical brilliance and emotional depth, making this album a treasure trove for both seasoned opera enthusiasts and newcomers alike.
Magdalena Kožená's voice is a force of nature, capable of conveying the full spectrum of human emotion with remarkable clarity and precision. Her interpretations of these arias are not just performances; they are profound explorations of the characters and stories behind the music. Whether she is conveying the tender longing of "Voi che sapete" from "Le nozze di Figaro" or the fiery passion of "Sarò qual è il torrente" from "Antigona," Kožená's artistry shines through.
This album is a celebration of the operatic art form, highlighting the enduring power of these timeless works. Magdalena Kožená's ability to connect with the music on such a deep level makes this album a truly unforgettable listening experience. Whether you are a fan of classical music or simply appreciate the beauty of the human voice, this album is sure to leave a lasting impression.
La clemenza di Tito, K. 621, Act I: No. 9, Aria. Parto, ma tu ben mioWolfgang Amadeus Mozart, Magdalena Kožená, Jindrich Pavlis, PKF – Prague Philharmonia, Michel Swierczewski
Paride ed Elena, Wq. 39, Act II: Le belle immaginiChristoph Willibald Gluck, Magdalena Kožená, PKF – Prague Philharmonia, Michel Swierczewski
Isacco figura del Redentore, Act II: Qui per pietà mi dice – Deh! Parlate, parlateJosef Mysliveček, Magdalena Kožená, PKF – Prague Philharmonia, Michel Swierczewski
Le nozze di Figaro, K. 492, Act II: No. 12, Voi che sapeteWolfgang Amadeus Mozart, Magdalena Kožená, PKF – Prague Philharmonia, Michel Swierczewski
Antigona, Act II: Sarò qual è il torrenteJosef Mysliveček, Magdalena Kožená, PKF – Prague Philharmonia, Michel Swierczewski
Idomeneo, K. 366, Act I: Recit. Ah, qual gelido orror – Il padre adoratoWolfgang Amadeus Mozart, Magdalena Kožená, PKF – Prague Philharmonia, Michel Swierczewski
Paride ed Elena, Wq. 39, Act I: O del mio dolce ardorChristoph Willibald Gluck, Magdalena Kožená, Vladislav Borovka, PKF – Prague Philharmonia, Michel Swierczewski
Lucio Silla, K. 135, Act I: Recit. Dunque sperar poss'io – Aria. Il tenero momentoWolfgang Amadeus Mozart, Magdalena Kožená, PKF – Prague Philharmonia, Michel Swierczewski
La finta giardiniera, K. 196, Act III: Va pure ad altri in braccioWolfgang Amadeus Mozart, Magdalena Kožená, PKF – Prague Philharmonia, Michel Swierczewski
L'Olimpiade, Act II: Dunque Licida ingrato – Più non si trovanoJosef Mysliveček, Magdalena Kožená, PKF – Prague Philharmonia, Michel Swierczewski
La Clemenza di Tito, Wq. 16, Act II: Se mai senti spirarti sul voltoChristoph Willibald Gluck, Magdalena Kožená, PKF – Prague Philharmonia, Michel Swierczewski
L'Olimpiade, Act II: Che non mi disseJosef Mysliveček, Magdalena Kožená, PKF – Prague Philharmonia, Michel Swierczewski
La clemenza di Tito, K. 621, Act II: No. 19, Aria (Rondo). Deh per questo istante soloWolfgang Amadeus Mozart, Magdalena Kožená, PKF – Prague Philharmonia, Michel Swierczewski