Gustav Mahler's "Mahler: Symphonies" is a monumental collection of the composer's symphonic works, spanning an impressive 10 hours and 19 minutes. This comprehensive album, released on Warner Classics, brings together Mahler's symphonies from No. 1 to No. 8, showcasing the breadth and depth of his orchestral genius.
The album features performances by some of the world's most renowned orchestras and conductors, including Klaus Mäkelä and the Concertgebouw, the BBC National Orchestra of Wales, and the Philharmonia Orchestra. Each symphony is a journey through Mahler's unique sound world, characterized by its emotional intensity, rich orchestration, and innovative structures.
Highlights include the powerful and dramatic "Symphony No. 1 in D Major 'Titan'," the profound and spiritual "Symphony No. 2 in C Minor 'Resurrection'," and the grand and majestic "Symphony No. 8 in E-Flat Major 'Symphony of a Thousand'." The album also includes the introspective and atmospheric "Symphony No. 7 in E Minor," known for its contrasting movements that evoke a sense of darkness and blazing musical sunlight.
This collection is a testament to Mahler's enduring influence and the timeless appeal of his music. Whether you are a seasoned classical music enthusiast or a newcomer to Mahler's works, this album offers a profound and immersive experience, showcasing the full range of Mahler's symphonic achievements.
Mahler: Symphony No. 1 in D Major "Titan": I. Langsam. SchleppendGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 1 in D Major "Titan": II. Kräftig bewegt, doch nicht zu schnellGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppenGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 1 in D Major "Titan": IV. Stürmisch bewegtGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 2 in C Minor "Resurrection": I. Allegro maestoso. Mit durchaus ernstem und feierlichem AusdruckGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 2 in C Minor "Resurrection": II. Andante moderato. Sehr gemächlich. Nie eilenGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender BewegungGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlichtGustav Mahler, Klaus Tennstedt, Doris Soffel, London Philharmonic Orchestra
Mahler: Symphony No. 2 in C Minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrendGustav Mahler, Klaus Tennstedt, Doris Soffel, Edith Mathis, London Philharmonic Choir, London Philharmonic Orchestra
Mahler: Symphony No. 3 in D Minor: I. Kräftig. EntschiedenGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 3 in D Minor: II. Tempo di menuetto. Sehr mässigGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 3 in D Minor: III. Comodo, scherzando. Ohne HastGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 3 in D Minor: IV. Sehr langsam. Misterioso. Durchaus LeiseGustav Mahler, Klaus Tennstedt, Ortrun Wenkel, London Philharmonic Orchestra
Mahler: Symphony No. 3 in D Minor: V. Lustig im Tempo und keck im AusdruckGustav Mahler, Klaus Tennstedt, London Philharmonic Choir, Ortrun Wenkel, Southend Boys' Choir, London Philharmonic Orchestra
Mahler: Symphony No. 3 in D Minor: VI. Langsam. Ruhevoll. EmpfundenGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 4 in G Major: I. Bedächtig, nicht eilenGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 4 in G Major: II. In gemächlicher Bewegung, ohne HastGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 4 in G Major: III. RuhevollGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 4 in G Major: IV. Sehr behaglichGustav Mahler, Lucia Popp, London Philharmonic Orchestra, Klaus Tennstedt
Mahler: Symphony No. 5 in C-Sharp Minor: I. Trauermarsch. In gemessenen Schritt. Streng. Wie ein KonduktGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 5 in C-Sharp Minor: II. Stürmisch bewegt, mit größter VehemenzGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 5 in C-Sharp Minor: III. Scherzo. Kräftig, nicht zu schnellGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 5 in C-Sharp Minor: IV. Adagietto. Sehr langsamGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 5 in C-Sharp Minor: V. Rondo-Finale. Allegro - Allegro giocoso. FrischGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 6 in A Minor "Tragic": I. Allegro energico, ma non troppoGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 6 in A Minor "Tragic": II. Scherzo. WuchtigGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 6 in A Minor "Tragic": III. Andante moderatoGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 6 in A Minor "Tragic": IV. Finale. Sostenuto - Allegro moderato - Allegro energicoGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 7 in E Minor: I. Langsam - Allegro risoluto ma non troppoGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 7 in E Minor: II. Nachtmusik. Allegro moderatoGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 7 in E Minor: III. ScherzoGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 7 in E Minor: IV. Nachtmusik. Andante amorosoGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 7 in E Minor: V. Rondo-FinaleGustav Mahler, Klaus Tennstedt, London Philharmonic Orchestra
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1 "Hymnus": I. Veni, Creator SpiritusGustav Mahler, Klaus Tennstedt, London Philharmonic Choir, London Philharmonic Orchestra
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1 "Hymnus": II. Imple superna gratiaGustav Mahler, Klaus Tennstedt, Edith Wiens, Elizabeth Connell, Hans Sotin, Jorma Hynninen, London Philharmonic Choir, Nadine Denize, Richard Versalle, Trudeliese Schmidt, London Philharmonic Orchestra
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1 "Hymnus": III. Infirma nostri corporisGustav Mahler, Klaus Tennstedt, Edith Wiens, Elizabeth Connell, Hans Sotin, Jorma Hynninen, London Philharmonic Choir, Nadine Denize, Richard Versalle, Trudeliese Schmidt, London Philharmonic Orchestra
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1 "Hymnus": IV. Accende lumen sensibusGustav Mahler, Klaus Tennstedt, Edith Wiens, Elizabeth Connell, Hans Sotin, Jorma Hynninen, London Philharmonic Choir, Nadine Denize, Richard Versalle, Tiffin School Boys' Choir, Trudeliese Schmidt, London Philharmonic Orchestra
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1 "Hymnus": V. Veni, Creator SpiritusGustav Mahler, Klaus Tennstedt, Edith Wiens, Elizabeth Connell, Hans Sotin, Jorma Hynninen, London Philharmonic Choir, Nadine Denize, Richard Versalle, Trudeliese Schmidt, London Philharmonic Orchestra
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1 "Hymnus": VI. Gloria sit Patri DominoGustav Mahler, Klaus Tennstedt, Edith Wiens, Elizabeth Connell, Hans Sotin, Jorma Hynninen, London Philharmonic Choir, Nadine Denize, Richard Versalle, Tiffin School Boys' Choir, Trudeliese Schmidt, London Philharmonic Orchestra
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": I. Poco adagio - Waldung, sie schwankt heranGustav Mahler, Klaus Tennstedt, London Philharmonic Choir, London Philharmonic Orchestra
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": II. Ewiger WonnebrandGustav Mahler, Klaus Tennstedt, Jorma Hynninen, London Philharmonic Orchestra
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": III. Wie Felsenabgrund mir zu FüssenGustav Mahler, Klaus Tennstedt, Hans Sotin, London Philharmonic Orchestra
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": IV. Gerettet ist das edle GliedGustav Mahler, Klaus Tennstedt, Tiffin School Boys' Choir, London Philharmonic Orchestra
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": V. Uns bleibt ein ErdenrestGustav Mahler, Klaus Tennstedt, Edith Wiens, Elizabeth Connell, Felicity Lott, Hans Sotin, Jorma Hynninen, London Philharmonic Choir, Trudeliese Schmidt, London Philharmonic Orchestra
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": VI. Hier ist die Aussicht freiGustav Mahler, Klaus Tennstedt, London Philharmonic Choir, Richard Versalle, Tiffin School Boys' Choir, London Philharmonic Orchestra
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": VII. Höchste Herrscherin der Welt!Gustav Mahler, Klaus Tennstedt, London Philharmonic Choir, Richard Versalle, London Philharmonic Orchestra
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": VIII. Dir, der UnberührbarenGustav Mahler, Klaus Tennstedt, Edith Wiens, London Philharmonic Choir, London Philharmonic Orchestra
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": IX. Bei der Liebe, die den FüssenGustav Mahler, Klaus Tennstedt, Elizabeth Connell, Nadine Denize, Trudeliese Schmidt, London Philharmonic Orchestra
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": X. Neige, neige, du OhnegleicheGustav Mahler, Klaus Tennstedt, Edith Wiens, Felicity Lott, London Philharmonic Choir, Tiffin School Boys' Choir, London Philharmonic Orchestra
Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2 "Final Scene from Faust": XI. Blicket auf zum RetterblickGustav Mahler, Klaus Tennstedt, London Philharmonic Choir, Richard Versalle, Tiffin School Boys' Choir, London Philharmonic Orchestra
Gustav Mahler, born in 1860 in Bohemia, was a towering figure in the world of classical music, straddling the late Romantic and early modernist eras. A prolific composer and renowned conductor, Mahler's symphonies are celebrated for their grandeur and emotional depth, often requiring large orchestras to bring his vision to life. His journey to fame was not without obstacles; despite his conducting prowess being recognized in his lifetime, his compositions faced periods of neglect, including a ban during the Nazi era. However, post-World War II, Mahler's music experienced a resurgence, becoming a staple in concert halls and recordings worldwide. His monumental works, such as the 'Titan' symphony, continue to captivate audiences with their intricate structures and profound expressions of human experience. Mahler's legacy endures, making him one of the most performed and recorded composers of all time.