Marais 1689

Album Description

Immerse yourself in the rich, expressive world of Marin Marais' viola da gamba music with Paolo Pandolfo's masterful interpretation in "Marais 1689." This album, released on Glossa in 2016, is a testament to the technical and emotional depth of Marais' compositions, brought to life with meticulousness and sensitivity by one of the most renowned viola da gamba players of our time.

"Marais 1689" features a selection of pieces from Marais' groundbreaking "Pièces de viole, Book 1," published in 1689. This collection includes suites in G Major and D Minor, along with other notable works like the "Tombeau de M. Meliton" and the "Rondeau in G Minor." Each piece is performed with a keen attention to detail, showcasing Pandolfo's technical prowess and his deep understanding of the Baroque style.

The album is a collaboration between Pandolfo and a talented ensemble, including Amélie Chemin, Thomas Boysen, and Markus Hünninger. Their collective expertise brings out the intricate nuances of Marais' music, making this recording a standout in the realm of classical chamber music.

With a duration of over an hour, "Marais 1689" offers a comprehensive exploration of Marais' early works, providing both seasoned enthusiasts and newcomers to the genre with a captivating listening experience. The album's high production quality and the performers' exceptional skill make it a valuable addition to any classical music collection.

29 jan 2016

2016 Glossa

About Marin Marais

Marin Marais, born in Paris in 1656, was a virtuoso viol player and prolific composer whose music continues to captivate audiences today. Studying under the renowned Jean-Baptiste Lully and the master of the bass viol, Monsieur de Sainte-Colombe, Marais honed his skills to become one of the most celebrated musicians of his time. His compositions, which include five books of Pièces de viole and four operas, are a testament to his mastery of the viol and his innovative approach to music. Marais's career flourished at the royal court of Versailles, where he was appointed as a court musician in 1676 and later became the conductor of the Paris Opera. His works, characterized by their expressive and often programmatic nature, have left an indelible mark on the Baroque era, making him a central figure in the French school of bass-viol composers and performers. Beyond his musical prowess, Marais's personal life was equally vibrant, fathering 19 children and entertaining the French royal family with his enchanting compositions.