Immerse yourself in the enchanting world of Benedetto Marcello's "Arianna," a captivating opera that has long been overlooked but is now ready to captivate a wider audience. Composed as part of an entertainment honoring Cardinal Pietro Ottoboni in Venice, this opera is a testament to Marcello's skill and creativity. The album, released on May 1, 2000, under the Chandos label, spans an impressive 2 hours and 57 minutes, offering a rich and immersive experience.
Benedetto Marcello, a high-born amateur composer, was one of many talented individuals working in Venice at the beginning of the 18th century. His "Arianna" is a masterful blend of vocal and instrumental prowess, featuring a cast of characters brought to life through powerful performances. The opera is divided into two parts, each containing multiple scenes that weave a compelling narrative.
The tracklist is a journey through the emotional and dramatic landscape of the opera, with each piece contributing to the overall story. From the lively "Sù, nocchieri sciogliamo le vele" to the poignant "Arianna, Fedra, Teseo," the music is both technically impressive and deeply moving. The album showcases Marcello's ability to create complex characters and evoke a range of emotions through his compositions.
Chandos Records, known for its dedication to uncovering neglected musical gems, has brought Marcello's "Arianna" to life with a well-played and sung performance. The album is a testament to the enduring power of classical music and the timeless appeal of opera. Whether you are a seasoned classical music enthusiast or a newcomer to the genre, "Arianna" offers a rich and rewarding listening experience that is sure to leave a lasting impression.
2000 Chandos Records2000 Chandos Records
Tracks
Arianna, SF 493, Sinfonia: PrestoBenedetto Marcello, Filippo Maria Bressan, Academia de li Musici
Arianna, SF 493, Sinfonia: LargoBenedetto Marcello, Filippo Maria Bressan, Academia de li Musici
Arianna, SF 493, Sinfonia: Presto (II)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici
Arianna, SF 493, Part I Scene 1: Sù, nocchieri sciogliamo le vele (Sailors)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Athestis Chorus
Arianna, SF 493, Part I Scene 1: Fedra, il tempo quest'è (Teseo, Fedra)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Mirko Guadagnini, Gloria Banditelli
Arianna, SF 493, Part I Scene 1: So quanto piangerai (Fedra)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Gloria Banditelli
Arianna, SF 493, Part I Scene 2: Qual mai gran pena (Teseo)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Mirko Guadagnini
Arianna, SF 493, Part I Scene 2: Se ad appagar volesse il cielo (Teseo)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Mirko Guadagnini
Arianna, SF 493, Part I Scene 3: A terra, a terra (Bacco)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Sergio Foresti
Arianna, SF 493, Part I Scenes 4 and 5: Ebbre bessaridi (Bassarids, Satyrs, Fauns)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Athestis Chorus
Arianna, SF 493, Part I Scenes 4 and 5: Qual suono strepitoso (Arianna, Bacco, Sileno)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Anna Chierichetti, Sergio Foresti, Antonio Abete
Arianna, SF 493, Part I Scenes 4 and 5: Re de' venti (Bacco)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Sergio Foresti
Arianna, SF 493, Part I Scenes 4 and 5: Ah, che veggio? (Arianna, Bacco, Sileno)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Anna Chierichetti, Sergio Foresti, Antonio Abete
Arianna, SF 493, Part I Scenes 4 and 5: È più tenace di vischio (Sileno)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Antonio Abete
Arianna, SF 493, Part I Scene 6: Miseri noi! (Teseo, Fedra)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Mirko Guadagnini, Gloria Banditelli
Arianna, SF 493, Part I Scene 7: No, scellerato! (Arianna, Fedra, Teseo)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Mirko Guadagnini, Gloria Banditelli, Anna Chierichetti
Arianna, SF 493, Part I Scene 7: Incauta farfalletta (Arianna)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Anna Chierichetti
Arianna, SF 493, Part I Scene 8: O mio rossor (Fedra, Teseo)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Mirko Guadagnini, Gloria Banditelli
Arianna, SF 493, Part I Scene 8: Se vier non poss'io (Fedra)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Gloria Banditelli
Arianna, SF 493, Part I Scene 9: Teseo non dubitar (Bacco, Teseo, Sileno)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Sergio Foresti, Mirko Guadagnini, Antonio Abete
Arianna, SF 493, Part I Scene 9: O quante volte sentito avrai (Teseo)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Mirko Guadagnini
Arianna, SF 493, Part I Scene 10: Come sì presto divenisti amante? (Sileno, Bacco)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Sergio Foresti, Antonio Abete
Arianna, SF 493, Part I Scene 11: Vieni Arianna (Bacco, Arianna, Sileno)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Sergio Foresti, Antonio Abete, Anna Chierichetti
Arianna, SF 493, Part I Scene 11: Tra gli astri splenderà (Bacco)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Sergio Foresti
Arianna, SF 493, Part I Scene 12: Deh scuoprimi, o Sileno (Arianna, Sileno)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Antonio Abete, Anna Chierichetti
Arianna, SF 493, Part I Scene 12: Nel paese dove il sol esce fuora (Sileno)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Antonio Abete
Arianna, SF 493, Part I Scene 12: Che favellar è il tuo? (Arianna, Sileno)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Anna Chierichetti, Antonio Abete
Arianna, SF 493, Part I Scene 12: Ma già scoperti d'Amor i crud'inganni (Arianna)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Anna Chierichetti
Arianna, SF 493, Part I Scene 12: Se no'l conosci ancora (Sileno)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Antonio Abete
Arianna, SF 493, Part I Scene 12: Viva il forte, viva il grande (Bacco's Followers)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Athestis Chorus
Arianna, SF 493, Part II Scene 1: Invan mi fuggi (Arianna, Fedra)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Anna Chierichetti, Gloria Banditelli
Arianna, SF 493, Part II Scene 1: Non è colpa del mio core (Fedra)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Gloria Banditelli
Arianna, SF 493, Part II Scene 2: Arianna (Teseo, Arianna)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Anna Chierichetti, Mirko Guadagnini
Arianna, SF 493, Part II Scene 2: Come mai puoi vedermi piangere…? (Arianna)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Anna Chierichetti
Arianna, SF 493, Part II Scene 3: È questa la vendetta…? (Bacco, Sileno, Arianna, Teseo)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Anna Chierichetti, Mirko Guadagnini, Sergio Foresti, Antonio Abete
Arianna, SF 493, Part II Scene 3: Conosco il mio fallo (Teseo)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Mirko Guadagnini
Arianna, SF 493, Part II Scene 4: Possibile, Arianna…? (Bacco, Arianna)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Anna Chierichetti, Sergio Foresti
Arianna, SF 493, Part II Scene 4: Spero di vendicarmi (Arianna)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Anna Chierichetti
Arianna, SF 493, Part II Scene 5: Qual mai gran doglia…? (Bacco, Sileno)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Sergio Foresti, Antonio Abete
Arianna, SF 493, Part II Scene 5: Nave che solca profondo mare (Bacco)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Sergio Foresti
Arianna, SF 493, Part II Scene 6: Stelle, voi che reggete (Fedra, Teseo)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Mirko Guadagnini, Gloria Banditelli
Arianna, SF 493, Part II Scene 6: Non è si forte la quercia al vento (Teseo)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Mirko Guadagnini
Arianna, SF 493, Part II Scene 7: Teseo, tempo è che siamo ambi felici (Bacco, Teseo)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Mirko Guadagnini, Sergio Foresti
Arianna, SF 493, Part II Scene 8: Satiretti lascivetti (Bassarids, Satyrs, Peasant Women, Fauns)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Athestis Chorus
Arianna, SF 493, Part II Scene 8: Che mai sentiam? (Fedra, Teseo)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Gloria Banditelli, Mirko Guadagnini
Arianna, SF 493, Part II Scene 8: Lascia di più languir (Fedra)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Gloria Banditelli
Arianna, SF 493, Part II Scene 9: Qual forza ignota a ritornar mi tragge? (Arianna, Teseo, Fedra, Bacco)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Gloria Banditelli, Mirko Guadagnini, Anna Chierichetti, Sergio Foresti
Arianna, SF 493, Part II Scene 9: Latte, e mele ecco vegg'io (Teseo)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Mirko Guadagnini
Arianna, SF 493, Part II Scene 10: Signor, questa corona (Sileno, Arianna, Bacco, Fedra, Teseo)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Gloria Banditelli, Mirko Guadagnini, Anna Chierichetti, Sergio Foresti, Antonio Abete
Arianna, SF 493, Part II Scene 10: Che dolce foco in petto (Arianna)Benedetto Marcello, Filippo Maria Bressan, Academia de li Musici, Anna Chierichetti
Benedetto Marcello, born into a noble Venetian family in 1686, was a multifaceted figure whose talents extended far beyond the realm of music. A prolific composer, Marcello is renowned for his fresh and original psalm settings, which gained widespread acclaim across Europe shortly after their publication in the 1720s. His compositions, including sonatas for cello and piano, and harpsichord sonatas, showcase his deep understanding of early 18th-century musical styles. Beyond his musical prowess, Marcello was also a writer, advocate, magistrate, and teacher, reflecting his diverse interests and intellectual curiosity. His legacy endures, inviting listeners to explore the rich tapestry of his work, from intimate chamber pieces to grand vocal settings.