Marian Anderson, the renowned American contralto, delivers a timeless collection of classical and spiritual pieces in her self-titled album released in 2011. Spanning a rich duration of 1 hour and 18 minutes, this album showcases Anderson's extraordinary vocal range and artistry, featuring arrangements by H.H.T. Burleigh and compositions by renowned masters such as Handel, Schubert, and Bach.
The album opens with a series of deeply moving spirituals, including "Deep River" and "Go Down, Moses," arranged by Burleigh, which highlight Anderson's ability to infuse each note with profound emotion and depth. Her rendition of Schubert's "Ave Maria" (Ellens Gesang III) is a standout, showcasing her pure, resonant voice and impeccable phrasing.
Anderson's repertoire extends to operatic arias, such as "O don fatal et deteste" from Verdi's "Don Carlos" and "Adieu, forets" from Verdi's "The Maid of Orleans," demonstrating her versatility and mastery of diverse musical styles. The album also includes sacred works like Bach's "Christmas Oratorio" and Handel's "Te Deum in D Major," further emphasizing her connection to both sacred and secular classical traditions.
Throughout the album, Anderson's voice remains a powerful and comforting presence, her interpretations both technically brilliant and deeply expressive. This collection is a testament to her enduring legacy as one of the most celebrated vocalists of the 20th century, offering a glimpse into her extraordinary career and the timeless beauty of her artistry.
2011 Symposium2011 Symposium
Tracks
Deep River (Arr. H.H.T. Burleigh)Traditional, Marian Anderson
Go Down, Moses (Arr. H.H.T. Burleigh)Traditional, Marian Anderson
Sometimes I Feel Like a Motherless Child (Arr. H.H.T. Burleigh)Traditional, Marian Anderson, William King
Heav'n, Heav'n (Arr. H.H.T. Burleigh)Traditional, Marian Anderson, William King
La favorita, Act III: Oh, mio Fernando!Gaetano Donizetti, Marian Anderson
L'enfant prodigue: L'annee en vain … Azael! Pourqoui m'as-tu quitteeClaude Debussy, Marian Anderson
The Maid of Orleans, Op. 4, the Maid of Orleans, Act I: Aria. Adieu, foretsPyotr Ilyich Tchaikovsky, Marian Anderson
Te Deum in D Major, HWV 283, "Dettingen": Dignare, DomineGeorge Frideric Handel, Marian Anderson, Kosti Vehanen
L'allegro, il penseroso ed il moderato, HWV 55: Aria. Lass' mich wandernGeorge Frideric Handel, Marian Anderson, Kosti Vehanen
Siroe, re di Persia, HWV 24, Act III: Ch'io mai vi possa lasciar d'amareGeorge Frideric Handel, Marian Anderson, Kosti Vehanen
Der Tod und das Mädchen, Op. 7 No. 3 D. 531: Der Tod und das Madchen, Op. 7, No. 3, D. 531Franz Schubert, Marian Anderson, Kosti Vehanen
Ellens Gesang III, Op. 52 No. 6, D. 839 "Ave Maria" (Hymne an die Jungfrau): Ellens Gesang III [Ave Maria!], Op. 56, No. 6, D. 839, "Hymne an die Jungfrau"Franz Schubert, Marian Anderson, Kosti Vehanen
Schwanengesang, D. 957: No. 5, AufenthaltFranz Schubert, Marian Anderson, Kosti Vehanen
Die Forelle, D. 550Franz Schubert, Marian Anderson, Kosti Vehanen
Thekla - Eine Geisterstimme, D. 595b (2nd setting): Thekla - Eine Geisterstimme, D. 595b [2nd setting, 2nd version]Franz Schubert, Marian Anderson, Franz Rupp
Dem Unendlichen, D. 291Franz Schubert, Marian Anderson, Franz Rupp
Die schöne Müllerin, Op. 25, D. 795: No. 2, Wohin?Franz Schubert, Marian Anderson, Franz Rupp
Der Herr ist mein getreuer Hirt, BWV 112, Versus II: Aria. Zum reinen Wasser er mich weistJohann Sebastian Bach, Marian Anderson, Robert Bloom, RCA Victor Chamber Orchestra, Robert Shaw
Christmas Oratorio, BWV 248, Pt. I: Bereite dich, ZionJohann Sebastian Bach, Marian Anderson, RCA Victor Chamber Orchestra, Robert Shaw
5 Songs, Op. 37 (text by J.J. Runeberg): 5 Songs, Op. 37: No. 5, Flickan kom ifran sin alsklings moteJean Sibelius, Marian Anderson
Don Carlos, Act IV: O don fatal et detesteGiuseppe Verdi, Marian Anderson, RCA Victor Chamber Orchestra, Lawrance Collingwood