Martinů: The Epic of Gilgamesh

Immerse yourself in the ancient world with Bohuslav Martinů's "The Epic of Gilgamesh," a captivating oratorio that brings to life the timeless Mesopotamian tale. This neoclassical masterpiece, composed by the renowned Czech composer, was first performed in 1958 and has since become a celebrated work in the chamber music repertoire. The album, released on October 20, 2017, under the Supraphon label, features a powerful performance by the Czech Philharmonic, conducted by Manfred Honeck, and the Prague Philharmonic Choir.

Spanning three parts, the oratorio delves into the legendary story of Gilgamesh, the king of Uruk, and his quest for immortality. The first part, "Tablets Nos. 1& 2," sets the stage with the introduction of Gilgamesh and his friend Enkidu. The second part, "The Death of Enkidu Gilgamesh," explores the profound impact of loss and the inevitability of death. The final part, "Invocation," concludes the epic with a reflection on the human condition and the search for meaning.

Recorded in the Dvořák Hall in January 2017, this album captures the essence of Martinů's composition with stunning clarity and depth. The orchestration and choral arrangements are rich and evocative, transporting listeners back to the ancient world of Gilgamesh. Whether you're a fan of neoclassical music or a history enthusiast, this album offers a unique and enriching experience. With a duration of 51 minutes, it's a perfect addition to any music collection, providing a deep dive into one of the world's oldest literary works through the lens of a masterful composer.

Bohuslav Martinů, a towering figure in 20th-century classical music, was a Czech composer whose eclectic and prolific output reflects a remarkable journey through various musical styles and influences. Born in Polička in 1890, Martinů's early prowess on the violin led him to the Prague Conservatory, where he honed his craft and developed a deep appreciation for the theater and French impressionism. His compositions, which include symphonies, operas, and ballets, are a testament to his versatility and innovative spirit, drawing from French impressionism, jazz, folk music, and neoclassicism. Martinů's works, such as "Julietta," "Taras Bulba," and "The Field Mass," are celebrated for their unique blend of tradition and modernity. Throughout his life, Martinů's love for sport, particularly football, added an unexpected dimension to his artistic persona. His legacy endures as one of the most significant contributors to Czech music, standing alongside giants like Smetana, Dvořák, and Janáček.