Mary Lou Williams, one of the most influential figures in jazz history, presents a unique and profound exploration of faith and music in her 1964 album "Black Christ of the Andes." This album marks a significant shift in Williams' career, as she incorporates her newfound Catholic faith into her jazz compositions, creating a blend of sacred and secular that is both innovative and deeply personal.
Recorded for Smithsonian Folkways Recordings, the album features a mix of original compositions and reinterpretations of classic standards, all infused with Williams' signature bebop style and her new spiritual perspective. The title track, "Black Christ of the Andes," is a standout piece that reflects Williams' admiration for St. Martin de Porres, the first black saint of the Americas. Other highlights include the swinging "A Grand Night for Swinging," the introspective "Anima Christi," and the playful "Forty-Five Degree Angle."
Throughout the album, Williams' mastery of the piano is evident, as she seamlessly blends complex jazz improvisations with themes of faith and devotion. The result is a collection of tracks that are as spiritually uplifting as they are musically engaging. Whether you're a longtime fan of Mary Lou Williams or a newcomer to her work, "Black Christ of the Andes" offers a fresh and inspiring take on jazz that continues to resonate over half a century later.
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