"Stereo Is King" is a captivating journey through the innovative and eclectic musical landscape crafted by composer Mason Bates. Released in 2014 on the Innova label, this neoclassical album spans a rich hour and six minutes, featuring six distinct compositions that blend orchestral writing, jazz harmonies, and electronic rhythms. The title track, "Stereo Is King," sets the tone with a vivid soundscape that includes marimba, glockenspiel, bells, and subtle electronic elements, creating a unique auditory experience. Throughout the album, Bates seamlessly integrates indigenous percussion sonorities with lightning-fast electronica grooves, showcasing his mastery of both traditional and modern musical techniques.
The album features a diverse range of instruments and performers, including Cynthia Yeh, Eric Banks, and Jacob Nissly on percussion, alongside contributions from violinist Baird Dodge, clarinetist Susan Warner, pianist Kuang-Hao Huang, cellist Ken Olsen, and flutist Jennifer Gunn. Each track offers a different sonic adventure, from the rhythmic studies of "Difficult Bamboo" to the ethereal choral work "Observer in the Magellanic Cloud," commissioned for the men's chorus Chanticleer. "Terrycloth Troposphere" and "String Band" further highlight Bates' versatility, while "White Lies for Lomax" adds a touch of vernacular Americana to the collection.
"Stereo Is King" is a testament to Mason Bates' ability to fuse disparate musical elements into a cohesive and engaging whole. Whether you're a fan of classical music, jazz, or electronic genres, this album offers something for everyone, making it a standout release in the neoclassical genre.