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Mathis Der Maler

Paul HindemithPaul Hindemith
Mathis Der Maler - Paul Hindemith

Album Description

Paul Hindemith's masterpiece, Mathis Der Maler, is a symphonic work of profound depth and emotion, inspired by the life and art of Matthias Grünewald, a 16th-century German painter. This iconic album, released on 1 January 2000 under the Maestoso label, is a testament to Hindemith's innovative spirit and his ability to craft music that is both a reflection of the past and a beacon of hope for the future.

The album's seven movements, including the haunting "Angelic Concert", the sombre "Entombment", and the dramatic "Temptation of St. Anthony", are a sonic representation of Grünewald's most famous work, the Isenheim Altarpiece. Hindemith's music is a powerful exploration of the human experience, delving into themes of artistic expression, isolation, and the struggle for freedom in a time of turmoil.

With its unique blend of classical piano and neoclassical elements, Mathis Der Maler is a work of staggering beauty and complexity. The album's 54-minute duration is a journey through the very fabric of Hindemith's creativity, with each movement expertly crafted to evoke the intense emotions and vivid imagery of Grünewald's art.

Under the masterful direction of its composer, Mathis Der Maler is a symphonic experience that will leave you breathless and yearning for more. Paul Hindemith's genius is on full display in this seminal work, which continues to inspire and influence generations of music lovers to this day.

2000 Maestoso2000 Maestoso

Tracks

  1. Mathis Der Maler: I. "Angelic Concert"Paul Hindemith, Ernst Toch, Pittsburgh Symphony Orchestra, William Steinberg
  2. Mathis Der Maler: II. "Entombment"Paul Hindemith, Ernst Toch, Pittsburgh Symphony Orchestra, William Steinberg
  3. Mathis Der Maler: III. "Temptation of St. Anthony"Paul Hindemith, Ernst Toch, Pittsburgh Symphony Orchestra, William Steinberg
  4. Symphony No. 3, Op. 75: I. Molto adagioPaul Hindemith, Ernst Toch, Pittsburgh Symphony Orchestra, William Steinberg
  5. Symphony No. 3, Op. 75: II. Andante tranquilloPaul Hindemith, Ernst Toch, Pittsburgh Symphony Orchestra, William Steinberg
  6. Symphony No. 3, Op. 75: III. Allegro impetuosoPaul Hindemith, Ernst Toch, Pittsburgh Symphony Orchestra, William Steinberg
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About Paul Hindemith

Paul Hindemith, born in 1895 in Hanau, Germany, was a prolific and versatile figure in the world of classical music, renowned for his compositions, conducting, and performances on the viola. Hindemith's career spanned two continents, with significant contributions made in both Europe and the United States. He is celebrated for his advocacy of the Neue Sachlichkeit style in the 1920s, which is evident in works like his "Kammermusik" series. His compositions often featured the viola and viola d'amore, showcasing his deep connection to the instrument he played professionally. Notable works include the song cycle "Das Marienleben," the opera "Mathis der Maler," and the oratorio "When Lilacs Last in the Dooryard Bloom'd," a poignant requiem based on Walt Whitman's poem.

Hindemith's life was marked by both artistic innovation and personal resilience. He founded the Amar Quartet in 1921, touring extensively across Europe. As political tensions rose in Germany, Hindemith and his wife emigrated to Switzerland and later to the United States, where he continued to compose, conduct, and teach. Despite being denounced by the Nazi regime, Hindemith's music remained deeply rooted in his German heritage, blending tonal craftsmanship with a modern sensibility. His later years in America saw him become one of the most performed European composers, teaching composition at Yale and leaving a lasting impact on the musical landscape. Hindemith's extensive output includes operas, ballets, concertos, and orchestral works, all of which reflect his unique voice and enduring legacy in classical music.

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Paul Hindemith

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