Ginevra di Scozia: SinfoniaJohann Simon Mayr, George Petrou, Munich Radio Orchestra
Ginevra di Scozia, Act I: Introduzione. Deh! Proteggi, o Ciel clemente (Chorus, Re, Lurcanio)Johann Simon Mayr, Peter Schone, Stefanie Irányi, Heinrich Schutz Male Choir, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Recitative. Qual dolce speme! (Re)Johann Simon Mayr, Peter Schone, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Coro e Cavatina. S'apra alla gioia (Chorus, Ginevra, Re)Johann Simon Mayr, Myrto Papatanasiu, Peter Schone, Heinrich Schutz Male Choir, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Recitative. Andiamo. Già mi predice il core (Re, Ginevra, Dalinda)Johann Simon Mayr, Peter Schone, Myrto Papatanasiu, Magdalena Hinterdobler, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Scena e Cavatina. Quale m'affanna e opprime (Polinesso)Johann Simon Mayr, Mario Zeffiri, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Recitative. Mio Signor! (Dalinda, Polinesso)Johann Simon Mayr, Magdalena Hinterdobler, Mario Zeffiri, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: MarchJohann Simon Mayr, George Petrou, Munich Radio Orchestra
Ginevra di Scozia, Act I: Recitative. Figlia, gioisci. Il vincitor fra poco (Re, Ginevra, Polinesso)Johann Simon Mayr, Peter Schone, Myrto Papatanasiu, Mario Zeffiri, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Recitative, Coro e Cavatina. Egli gia vien. Da lungi (Re, Ginevra, Polinesso, Chorus, Ariodante)Johann Simon Mayr, Peter Schone, Myrto Papatanasiu, Mario Zeffiri, Anna Bonitatibus, Heinrich Schutz Male Choir, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Recitative. Sire. Vincemmo (Ariodante, Re, Ginevra, Polinesso, Lurcanio)Johann Simon Mayr, Anna Bonitatibus, Peter Schone, Myrto Papatanasiu, Mario Zeffiri, Stefanie Irányi, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: March (reprise)Johann Simon Mayr, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Recitative. Dunque sempre spietata (Lurcanio, Dalinda)Johann Simon Mayr, Stefanie Irányi, Magdalena Hinterdobler, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Aria. Ah! Dov'e quell'alma audace (Lurcanio)Johann Simon Mayr, Stefanie Irányi, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Recitative. Non più. Lasciami, o duca, troppo omai (Ariodante, Polinesso)Johann Simon Mayr, Anna Bonitatibus, Mario Zeffiri, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Recitative e Duetto. Oh dio! Qual gel mi scende al cor! (Ariodante, Polinesso)Johann Simon Mayr, Anna Bonitatibus, Mario Zeffiri, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Recitative. Cielo! Come agitato (Vafrino)Johann Simon Mayr, Marko Cilic, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Aria. Tremo confuso, agitato, e peno (Vafrino)Johann Simon Mayr, Marko Cilic, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act I: Finale. Gia l'ombre sue notte distese (Ariodante, Lurcanio, Polinesso, Dalinda, Chorus, Re, Ginevra)Johann Simon Mayr, Anna Bonitatibus, Stefanie Irányi, Mario Zeffiri, Magdalena Hinterdobler, Peter Schone, Myrto Papatanasiu, Heinrich Schutz Male Choir, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Recitative. Oh me dolente! Ahi, lasso! (Vafrino, Dalinda)Johann Simon Mayr, Marko Cilic, Magdalena Hinterdobler, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Aria. Tu vedi in me la vittima (Dalinda)Johann Simon Mayr, Magdalena Hinterdobler, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Scena. Dove son io? (Ariodante, Chorus, Vorsteher)Johann Simon Mayr, Anna Bonitatibus, Virgil Mischok, Heinrich Schutz Male Choir, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Recitative. Qual orrida sciagura (Re, Lurcanio)Johann Simon Mayr, Peter Schone, Stefanie Irányi, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Recitative ed Aria. La legge eseguiro (Re)Johann Simon Mayr, George Petrou, Peter Schone, Munich Radio Orchestra
Ginevra di Scozia, Act II: Scena e Rondo. Infelice Ginevra! (Ginevra, Re)Johann Simon Mayr, Myrto Papatanasiu, Peter Schone, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Coro ed Aria. Il sole all'occaso (Chorus, Polinesso, Re, Ginevra)Johann Simon Mayr, Mario Zeffiri, Peter Schone, Myrto Papatanasiu, Heinrich Schutz Male Choir, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Recitative. Figlia! Padre! (Re, Ginevra, Lurcanio, Polinesso)Johann Simon Mayr, Peter Schone, Myrto Papatanasiu, Stefanie Irányi, Mario Zeffiri, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Scena e Quintetto. Ah! Io la difendo (Ginevra, Ariodante, Lurcanio, Polinesso, Re)Johann Simon Mayr, Myrto Papatanasiu, Anna Bonitatibus, Stefanie Irányi, Mario Zeffiri, Peter Schone, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Recitative. Guerrier, chi sei? (Lurcanio, Ariodante, Re, Ginevra, Polinesso)Johann Simon Mayr, Stefanie Irányi, Anna Bonitatibus, Peter Schone, Myrto Papatanasiu, Mario Zeffiri, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Recitative e Duetto. Che dici tu? (Ginevra, Ariodante)Johann Simon Mayr, Myrto Papatanasiu, Anna Bonitatibus, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Coro. Che giorno di spavento! (Chorus)Johann Simon Mayr, Heinrich Schutz Male Choir, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Recitative. Popoli! Al gran cimento ecco la figlia (Re, Ginevra, Polinesso, Lurcanio, Ariodante, Vafrino, Dalinda)Johann Simon Mayr, Peter Schone, Myrto Papatanasiu, Mario Zeffiri, Stefanie Irányi, Anna Bonitatibus, Marko Cilic, Magdalena Hinterdobler, Munich Radio Orchestra, George Petrou
Ginevra di Scozia, Act II: Finale. O Giocondo e lieto giorno! (All)Johann Simon Mayr, Myrto Papatanasiu, Magdalena Hinterdobler, Anna Bonitatibus, Stefanie Irányi, Mario Zeffiri, Marko Cilic, Peter Schone, Virgil Mischok, Heinrich Schutz Male Choir, Munich Radio Orchestra, George Petrou
Johann Simon Mayr, born in 1763 in Mendorf, Bavaria, was a prolific German composer whose operatic works once captivated audiences across Europe. Studying theology at Universität Ingolstadt, Mayr's musical journey took a significant turn, leading him to compose over sixty operas between 1794 and 1824. His unique blend of Italianate melody and Germanic harmony and instrumentation earned him widespread admiration, making him one of the most popular opera composers of his time, preceding the era of Rossini. Mayr's influence extended to mentoring the young Gaetano Donizetti, further cementing his legacy in the world of classical music. Today, efforts by conductors like Franz Hauk are bringing Mayr's remarkable compositions back to the forefront, ensuring that new generations can appreciate the rich tapestry of his musical contributions.
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Album Description
2014 Oehms Classics2014 Oehms Classics
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Immerse yourself in the rich, dramatic world of Johann Simon Mayr's "Ginevra di Scozia," a captivating opera seria that showcases the composer's mastery of the genre. Released on July 1, 2014, by Oehms Classics, this album presents a complete recording of Mayr's 1801 work, performed by the esteemed Munich Radio Orchestra and Chorus, under the skilled direction of conductor George Petrou.
"Ginevra di Scozia" is a dramatic tale of love, betrayal, and redemption, set to a libretto by Gaetano Rossi. The opera's two acts are filled with intricate recitatives, powerful arias, and grand choruses that highlight the emotional depth and complexity of its characters. The album spans nearly two hours and fifty minutes, offering a comprehensive exploration of Mayr's musical storytelling.
Featuring a stellar cast of vocalists, including Elizabeth Vidal, Daniela Barcellona, and Antonino Siragusa, the performance brings to life the intrigues and passions of Ginevra, the Scottish princess at the center of the story. The opera's sinfonia opens the album with a vibrant overture, setting the stage for the dramatic events to come.
Mayr, an influential figure in the development of Italian opera, demonstrates his skill in crafting memorable melodies and harmonies that enhance the narrative. The album's choral pieces are particularly noteworthy, showcasing the ensemble's precision and emotional resonance.
Whether you are a seasoned opera enthusiast or a newcomer to the genre, "Ginevra di Scozia" offers a compelling journey through the world of early 19th-century opera. The album's high-quality recording and dynamic performances make it a standout addition to any classical music collection.