Dive into the captivating world of Gian Carlo Menotti's "Maria Golovin," a powerful romantic opera that delves into the complexities of love and jealousy. Originally premiered in Brussels in 1958 and later transferred to Broadway, this opera showcases Menotti's mastery of storytelling and his ability to create deeply resonant characters. The album, released in 2011 under the Naxos label, presents a comprehensive recording of the opera, spanning over two hours and twenty-three minutes, offering an immersive experience for both opera enthusiasts and newcomers alike.
The opera is divided into three acts, each filled with intricate scenes that bring the narrative to life. The tracklist meticulously details each scene, providing a clear roadmap for the listener to follow the unfolding drama. From the introductory moments to the climactic scenes, Menotti's composition is both evocative and engaging, highlighting his unique voice in the opera world.
In addition to the opera, the album also includes a Violin Concerto in A Minor, featuring three movements: Allegro moderato, Adagio, and Allegro vivace. This concerto adds another layer of musical depth to the album, showcasing Menotti's versatility as a composer.
Gian Carlo Menotti, known for his early operatic successes, directs the opera with a keen eye for detail, ensuring that every note and every scene resonates with authenticity. The album is a testament to Menotti's enduring legacy in the world of opera, offering a timeless exploration of human emotions and relationships. Whether you are a seasoned opera lover or someone looking to explore the genre, "Maria Golovin" promises a rich and rewarding listening experience.
2011 Naxos2011 Naxos
Tracks
Maria Golovin, Act I Scene 1: IntroductionGian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act I Scene 1: One … Two … Three … Good heavens! (Agata)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act I Scene 1: This way, come in, come in! (Mother, Zuckertanz, Donato, Maria)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act I Scene 1: This Is a sad place to take a little boy! (Agata, Donato)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act I Scene 1: … And eight and nine and ten and hop la la! (Mother, Agata)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act I Scene 1: Who Is there? Is there someone? (Donato, Maria)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act I Scene 1: Tell me the truth (Donato, Maria)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act I Scene 1: I will pose for you as long as you like (Donato, Maria)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act I Scene 1: … You must be careful not to play near the lake (Mother, Zuckertanz, Maria, Donato)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act I Scene 2: Aren't you ready yet? (Donato, Agata, Mother)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act I Scene 2: Let us sit by the fire (Donato, Maria)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act I Scene 2: Ah Maria, Maria, If you could only see (Donato, Maria)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act I Scene 2: The prisoners … (Maria, Donato, Trottolo)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act II Scene 1: What Is It? (Donato, Agata)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act II Scene 1: What Is It? (Donato, Prisoner, Agata, Maria)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act II Scene 1: Oh I am so tired, so tired (Maria, Mother, Donato, Zuckertanz)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act II Scene 1: Maria … Yes, Donato (Donato, Maria, Mother)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act II Scene 1: You know, I feel like a girl again (Maria, Donato, Mother, Agata)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act II Scene 2: There you Are! (Mother, Maria, Zuckertanz, Donato)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act II Scene 2: Yes, I must leave you, Donato (Maria, Donato, Agata)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act II Scene 2: Maria. Forgive me (Donato, Maria, Prisoner)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act II Scene 2: No, I do not understand a man like you (Prisoner, Donato)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act III Scene 1: IntroductionGian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act III Scene 1: I'm afraid This Is all we have (Mother, Zuckertanz, Maria)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act III Scene 1: Quando di fuoco si fa la laguna (Maria, Zuckertanz, Mother, Agata, Donato)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act III Scene 2: This Is the largest one I have (Mother, Maria)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act III Scene 2: You Are unfair, Madame, and you know It (Maria, Mother, Donato)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act III Scene 2: Have you told him? (Donato, Maria)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act III Scene 2: Oh, how different Is the world once I lie in your arms (Donato, Maria)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act III Scene 3: What time Is It? (Donato, Mother, Agata)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Maria Golovin, Act III Scene 3: At last, my darling (Maria, Donato, Mother, Zuckertanz)Gian Carlo Menotti, Franca Duval, Richard Cross, Patricia Neway, Genia Las, William Chapman, Herbert Handt, Lorenzo Muti, Studio Chorus, Peter Herman Adler
Violin Concerto in A Minor: I. Allegro moderatoGian Carlo Menotti, Tossy Spivakovsky, Boston Symphony Orchestra, Charles Münch
Violin Concerto in A Minor: II. AdagioGian Carlo Menotti, Tossy Spivakovsky, Boston Symphony Orchestra, Charles Münch
Violin Concerto in A Minor: III. Allegro vivaceGian Carlo Menotti, Tossy Spivakovsky, Boston Symphony Orchestra, Charles Münch
Gian Carlo Menotti, the prolific Italian-American composer, is renowned for his significant contributions to the world of opera, with a repertoire of 25 captivating works. Primarily active in the mid-20th century, Menotti's operas are celebrated for their expressive lyricism and dramatic intensity, making him one of the most frequently performed opera composers of his time. Influenced by the likes of Giacomo Puccini and Modest Mussorgsky, Menotti's compositions are deeply rooted in the verismo tradition, emphasizing natural rhythms and textual clarity to enhance the dramatic narrative. His rejection of atonality and the Second Viennese School's aesthetic further solidifies his unique voice in the opera world. Menotti's works, particularly those from the 1940s and 1950s, continue to captivate audiences with their emotional depth and musical richness.