Dive into the gripping world of political oppression and personal despair with Gian Carlo Menotti's "The Consul," a powerful opera that stands as a testament to the composer's mastery of dramatic storytelling. Originally recorded in 1998 and released on Chandos in February 1999, this double CD set captures the essence of Menotti's unique operatic vision, blending intense drama with poignant musicality.
"The Consul" is a haunting exploration of a woman's desperate struggle to obtain a visa to escape a totalitarian regime. The opera's stark and compelling narrative is brought to life through Menotti's evocative score and his own English libretto, which he penned himself. The cast features renowned soprano Susan Bullock as Magda Sorel, the opera's protagonist, alongside a stellar ensemble that includes a solo baritone and a chorus that adds depth and richness to the performance.
Conducted by the esteemed Richard Hickox, this recording benefits from his keen musical direction, ensuring that Menotti's intricate score is executed with precision and passion. The opera's duration of over two hours is a testament to its immersive storytelling, keeping the audience engaged from the first note to the final, heart-wrenching moments.
Gian Carlo Menotti, one of the most influential 20th-century composers of opera in the United States, is known for his innovative approach to the genre. "The Consul" is a prime example of his ability to weave complex narratives with memorable music, making it a standout work in his extensive repertoire. Whether you are a longtime fan of Menotti's work or a newcomer to his operatic world, "The Consul" offers a captivating and thought-provoking experience that showcases the best of his artistic prowess.
1999 Chandos Records1999 Chandos Records
Tracks
The Consul, Act I Scene 1: Tu reviendras et voudras m'enfermer dans tes bras (Voice on Record, John, Magda, Mother)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Susan Bullock, Louis Otey, Jacalyn Kreitzer
The Consul, Act I Scene 1: Quick, John! The Police! (Mother, Magda, Police Agent)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Susan Bullock, Jacalyn Kreitzer, Charles Austin
The Consul, Act I Scene 1: Don't move yet (Magda, Mother, John)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Susan Bullock, Louis Otey, Jacalyn Kreitzer
The Consul, Act I Scene 1: Now, O lips, say goodbye (Magda, Mother, John)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Susan Bullock, Louis Otey, Jacalyn Kreitzer
The Consul, Act I Scene 1: InterludeGian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra
The Consul, Act I Scene 2: Next. Yes . . . What can I do for you? (Secretary, Mr Kofner)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Victoria Livengood, Herbert Eckhoff
The Consul, Act I Scene 2: Next. Next! (Secretary, Foreign Woman, Mr Kofner)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Victoria Livengood, Herbert Eckhoff, Susan Bullock, Giovanna Manci
The Consul, Act I Scene 2: Next. Hello. Oh! It's you! (Secretary, Magda)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Victoria Livengood, Susan Bullock
The Consul, Act I Scene 2: I beg your pardon, Madam (Magician, Vera Boronel, Magda, Foreign Woman, Mr Kofner)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Susan Bullock, Giovanna Manci, Herbert Eckhoff, Malin Fritz, John Horton Murray
The Consul, Act II Scene 1: Tu reviendras et voudras m'enfermer dans tes bras (Voice on Record, Magda, Mother)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Susan Bullock, Jacalyn Kreitzer
The Consul, Act II Scene 1: I shall find for you shells and stars (Mother)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Jacalyn Kreitzer
The Consul, Act II Scene 1: John, John, why did you bring me . . . (Magda, John, Mother)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Jacalyn Kreitzer, Susan Bullock, Louis Otey
The Consul, Act II Scene 1: It is the signal! (Magda, Mother, Police Agent, Assan)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Jacalyn Kreitzer, Susan Bullock, Charles Austin, Graeme Broadbent
The Consul, Act II Scene 1: Mother, why are you so still, Mother! (Magda, Mother)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Jacalyn Kreitzer, Susan Bullock
The Consul, Act II Scene 1: InterludeGian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra
The Consul, Act II Scene 2: What did you say your name was? (Secretary, Anna Gomez, Vera Boronel, Mr Kofner)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Victoria Livengood, Robin Blitch Wiper, Malin Fritz, Herbert Eckhoff, Susan Bullock, John Horton Murray
The Consul, Act II Scene 2: My charming Ma'moiselle (Magician, Secretary, Anna Gomez, Vera Boronel, Mr Kofner, Magda, Foreign WomaGian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, John Horton Murray, Victoria Livengood, Robin Blitch Wiper, Malin Fritz, Herbert Eckhoff, Susan Bullock
The Consul, Act II Scene 2: Any news for me? (Magda, Secretary)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Victoria Livengood, Susan Bullock
The Consul, Act II Scene 2: To this we've come (Magda, Vera Boronel, Mr Kofner, Secretary)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Susan Bullock, Malin Fritz, Herbert Eckhoff, Victoria Livengood
The Consul, Act II Scene 2: You're being very unreasonable, Mrs Sorel! (Secretary, Anna Gomez, Vera Boronel, Mr Kofner)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Victoria Livengood, Robin Blitch Wiper, Malin Fritz, Herbert Eckhoff
The Consul, Act III Scene 1: How often must I tell you, Mrs Sorel (Secretary, Vera Boronel, Assan, Magda)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Victoria Livengood, Malin Fritz, Graeme Broadbent, Susan Bullock
The Consul, Act III Scene 1: Don't forget to sign (Secretary, Vera Boronel, Assan, Magda))Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Victoria Livengood, Malin Fritz, Graeme Broadbent, Susan Bullock
The Consul, Act III Scene 1: Oh, those faces! All those faces! (Secretary)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Victoria Livengood
The Consul, Act III Scene 1: Who are you? How did you get in? (Secretary, John)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Victoria Livengood, Louis Otey
The Consul, Act III Scene 1: You cannot arrest him here (Secretary, Police Agent, John)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Victoria Livengood, Louis Otey, Charles Austin
The Consul, Act III Scene 1: Don't be afraid, Mr Sorel! (Secretary)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Victoria Livengood
The Consul, Act III Scene 2: I never meant to do this (Magda)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Susan Bullock
The Consul, Act III Scene 2: Lo, Death's frontiers are open (Foreign Woman, Anna Gomez, Secretary, Vera Boronel, Mother, John, MrGian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Susan Bullock, Robin Blitch Wiper, Victoria Livengood, Malin Fritz, Giovanna Manci, Jacalyn Kreitzer
The Consul, Act III Scene 2: No! Wait! Wait! . . . I'm coming with you (Magda, Mother, John, Magician, others)Gian Carlo Menotti, Richard Hickox, Spoleto Festival Orchestra, Susan Bullock, Jacalyn Kreitzer, Louis Otey, John Horton Murray
Gian Carlo Menotti, the prolific Italian-American composer, is renowned for his significant contributions to the world of opera, with a repertoire of 25 captivating works. Primarily active in the mid-20th century, Menotti's operas are celebrated for their expressive lyricism and dramatic intensity, making him one of the most frequently performed opera composers of his time. Influenced by the likes of Giacomo Puccini and Modest Mussorgsky, Menotti's compositions are deeply rooted in the verismo tradition, emphasizing natural rhythms and textual clarity to enhance the dramatic narrative. His rejection of atonality and the Second Viennese School's aesthetic further solidifies his unique voice in the opera world. Menotti's works, particularly those from the 1940s and 1950s, continue to captivate audiences with their emotional depth and musical richness.