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Olivier Messiaen's "Et exspecto resurrectionem mortuorum" is a profound and deeply spiritual orchestral work that draws its inspiration from the resurrection of Christ and the transcendence of death. Commissioned to commemorate the fallen of two World Wars, this piece is a testament to Messiaen's unique ability to blend his unwavering faith with his distinctive musical voice. The album, released on Naxos in 2012, features the Orchestre National de Lyon under the direction of Jun Markl, delivering a powerful and expressive performance that captures the essence of Messiaen's vision.
The work is divided into five movements, each exploring different aspects of resurrection and eternal life. The first movement, "Des profondeurs de l'abime, je crie vers toi, Seigneur," sets a somber tone, evoking a sense of longing and despair. The second movement, "Le Christ, ressuscite des morts, ne meurt plus," shifts to a more triumphant mood, celebrating the victory of Christ over death. The third movement, "L'heure vient ou les morts entendront la voix du Fils de Dieu," is a contemplative piece that reflects on the promise of resurrection. The fourth movement, "Ils ressusciteront, glorieux, avec un nom nouveau," is a joyous and exuberant celebration of eternal life. The final movement, "Et j'entendis la voix d'une foule immense," brings the work to a triumphant conclusion, with a massive chorus joining the orchestra in a powerful affirmation of faith.
In addition to the main work, the album also includes "Le tombeau resplendissant" and "Hymne au Saint-Sacrement," two shorter pieces that further showcase Messiaen's ability to convey deep spiritual truths through music. The album is a powerful and moving listening experience that is sure to leave a lasting impression on anyone who hears it.