Dive into the rich world of early 19th-century opera with Giacomo Meyerbeer's "Jephtas Gelübde," a captivating exploration of his first major musical drama. This double-CD set, released on Marco Polo, offers a fascinating premiere recording of Meyerbeer's operatic debut, based on the biblical tale of Jephta and his fateful vow. Spanning over two hours and thirty-six minutes, this album is a testament to Meyerbeer's varied and expressive musical language, showcasing his early genius and setting the stage for his future successes.
"Jephtas Gelübde" is a grand opera in three acts, filled with a diverse array of musical numbers, from overtures and arias to duets, trios, and choral pieces. The story unfolds through dialogues, monologues, and polyphonic vocal works, accompanied by lively marches and dances. The album features a full cast of singers, along with the Sofia Po and Chorus, all conducted by Sönke Tams.
This recording is a rare opportunity to experience Meyerbeer's first surviving opera, premiered in 1812. The album's 31 tracks provide a comprehensive journey through the opera, allowing listeners to appreciate the composer's skill and innovation. Whether you're a seasoned opera enthusiast or new to the genre, "Jephtas Gelübde" offers a compelling introduction to Meyerbeer's operatic world. The album's release on March 24, 2023, marks an exciting addition to any classical music collection, celebrating the legacy of one of the most influential composers of the Romantic era.
2023 Marco Polo2023 (P) Marco Polo
Tracks
Jephtas Gelübde: OvertureGiacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act I: Introduction. Fröhliches Leben (Chorus, Tirza)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act I Scene 1: Dialogue: O wie scheidet das Jahr so reich an Segen! (Sulima, Tirza)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act I Scene 2: Dialogue: Sulima! Theure! (Asmavett, Sulima)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act I Scene 2: Duet. Deine Liebe ist mein Leben (Asmavett, Sulima)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act I Scene 2: Monologue: Es hat mich doch kein Traum getäuscht (Asmavett)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act I Scene 2: Aria. Sie liebet mich! (Asmavett)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act I Scene 3: Monologue: Ha! Was mußt ich sehen und hören! (Abdon)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act I Scene 3: Aria. Dich soll die Hölle fassen! (Abdon)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act I Scene 4: Polyphonic Vocal Piece: Ach Vater, du hier! (Sulima, Jephta, Asmavett, Chorus, Tirza)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act I Scene 4: Dialogue: Theurer Vater! (Sulima, Jephta, Asmavett)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act I Scene 4: Finale. Weh, die Söhne Ammons ziehen - March and Dance of the Warriors: Heran, heran (Chorus, Jephta, Tribal Leaders, Abdon, Messenger 1, Messenger 2, Messenger 3)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act II Scene 1: Dialogue: Wohl mir, daß ihr endlich kommt (Tirza, Childhood Friend)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act II Scene 2: Recitative. Eine stille Trauer - Aria. Ich lag in deinen Armen - Chorus. Einst wirst du sie wieder sehn (Sulima, Chorus)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act II Scene 3: Dialogue: O die Unruhe die mich foltert (Abdon, Tirza, Sulima)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act II Scene 3: Trio. Nimmer wird er wiederkehren (Abdon, Sulima, Tirza)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act II Scene 3: Dialogue: Alle meine List ist umsonst (Abdon, Tribal Leader)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act II Scene 4: Monologue: Besiegt ist die Gefahr! (Asmavett)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act II Scene 4: Monologue: Dank dir, Jehovah! - Cavatina. Seh ich dich wieder (Asmavett)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act II Scene 5: Dialogue: Er lebt! Er ist's! (Sulima, Asmavett)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act II Scene 5: Duet. Mitten auf dem Feld der Toten (Asmavett, Sulima)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act II Scene 6: Dialogue: Ich war so ängstlich, und nun ist mir so wohl (Sulima, Asmavett)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act II Scene 6: Finale. Die Schlacht ist geschlagen - Triumphal March of the Returning Warriors - Dance of Young Women - Romance. Aus der Heimat (Chorus, Sulima, Jephta, Asmavett, Warriors, Abdon)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act III Scene 1: Entr'acte - Recitative. Sie soll ich opfern - Arioso. O flieht, ich will mein Wort ja halten (Jephta, Chorus)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act III Scene 2: Dialogue: Sag', Jephta, ist es wahr? (Asmavett, Jephta)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act III Scene 3: Dialogue: Deinen Segen, theurer Vater (Sulima, Jephta, Asmavett)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act III Scene 3: Dialogue: Vergieb' mir Vater - Aria. Ich will mein junges Leben (Asmavett, Jephta, Sulima)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act III Scene 3: Dialogue: Ich glaubte so gefaßt zu seyn (Jephta, Sulima, Tirza, Asmavett)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act III Scene 3: Trio. Ach, Geliebte, willst du scheiden (Asmavett, Sulima, Jephta)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act III Scene 4: Monologue: Endlich erscheint der Augenblick der Rache (Abdon)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Jephtas Gelübde, Act III Scene 4: Monologue: Ach! Welche Töne - Scene 5: Finale. Das Opfer ist geschmücke (Abdon, Chorus, 4 Priests, Asmavett, Jephta, High Priest, Sulima, Tirza)Giacomo Meyerbeer, Sönke Tams Freier, Andrea Chudak, Ziazan,, Marcus Elsäßer, Laurence Kalaidjian, Ivaylo Yanev, Caroline Bruker, Nikolay Ivanov, Ivan Angelov, Orfey Petrov, Lyubomir Chernev, Peter Petrov, Simeon Pilibosyan, Mojmír Kolář, Sofia Philharmonic Chorus, Sofia Philharmonic Orchestra, Rossen Balkanski, Vasil Ignatov, Vesela Tritchkova, Dario Salvi
Giacomo Meyerbeer, born Jacob Liebmann Beer in 1791, was a German opera composer who reigned supreme in the 19th century, shaping the grand opera genre and setting the stage for the future of music drama. Born into a wealthy Jewish family near Berlin, Meyerbeer's compositions, particularly "Robert le diable," "Les Huguenots," and "Le prophète," were sensational hits that captivated audiences and critics alike. His unique style blended German orchestral traditions with Italian vocal techniques, all wrapped in dramatic libretti by Eugène Scribe and enhanced by cutting-edge theater technology. Meyerbeer's influence was immense, inspiring giants like Richard Wagner and maintaining Paris's status as the opera capital of the world. Despite his past fame, Meyerbeer's works are less frequently performed today, making a journey through his compositions a hidden gem for opera enthusiasts.