Dive into the rich world of early 19th-century opera with Giacomo Meyerbeer's "Romilda e Costanza," a melodrama semiserio that has long been overshadowed by the composer's later grand operas. This three-disc set, released by Naxos, offers a rare opportunity to experience Meyerbeer's early masterpiece in its entirety, showcasing his burgeoning talent and the influences that would shape his future works.
Composed in 1817, "Romilda e Costanza" is a testament to Meyerbeer's ability to blend dramatic storytelling with lyrical beauty. The opera, set in two acts, follows the tumultuous love story of Romilda and Ubaldo, as they navigate the complexities of power, betrayal, and redemption. The live recording captures the essence of Meyerbeer's score, with its intricate orchestration and soaring arias, providing a vivid portrait of the composer's artistic vision.
This album is a treasure trove for opera enthusiasts and Meyerbeer aficionados alike. The performance features a stellar cast of singers, each bringing depth and nuance to their respective roles. The orchestral accompaniment is equally impressive, with the musicians expertly navigating the score's intricate details and dynamic shifts.
With a running time of over two and a half hours, this album offers an immersive experience into the world of Meyerbeer's early opera. The live setting adds an extra layer of authenticity, allowing listeners to feel as though they are part of the audience, witnessing the drama unfold in real-time. The album's release in 2020 marks a significant milestone in the preservation and promotion of Meyerbeer's lesser-known works, ensuring that this gem of early 19th-century opera continues to be celebrated and enjoyed by future generations.
Romilda e Costanza, Act I: Tutto è cheto ancor d'intorno (Live)Giacomo Meyerbeer, Claire Gascoin, Giulio Mastrototaro, Górecki Chamber Choir, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act I: Ma s'apre la porta (Live)Giacomo Meyerbeer, Javier Povedano, Emmanuel Franco, Giulio Mastrototaro, Górecki Chamber Choir, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act I: Ma il cannone da lungi rimbomba (Live)Giacomo Meyerbeer, Javier Povedano, Emmanuel Franco, Giulio Mastrototaro, Claire Gascoin, Górecki Chamber Choir, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act I: Sua altezza brama restar solo (Live)Giacomo Meyerbeer, Javier Povedano, Emmanuel Franco, Giulio Mastrototaro, Andrés Jesús Gallucci, Luciano Acocella
Romilda e Costanza, Act I: Giungesti, o caro istante (Live)Giacomo Meyerbeer, Luiza Fatyol, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act I: Oh padre mio! (Live)Giacomo Meyerbeer, Patrick Kabongo, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act I: Ombra amata (Live)Giacomo Meyerbeer, Patrick Kabongo, Górecki Chamber Choir, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act I: Della gloria il vivo ardore (Live)Giacomo Meyerbeer, Patrick Kabongo, Górecki Chamber Choir, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act I: Signori, cavalieri, amici a me d'intorno (Live)Giacomo Meyerbeer, Patrick Kabongo, César Cortés, Luiza Fatyol, Timophey Pavlenko, Andrés Jesús Gallucci, Luciano Acocella
Romilda e Costanza, Act I: Tu sai qual'oggetto (Live)Giacomo Meyerbeer, Chiara Brunello, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act I: Oh come a quell'aspetto (Live)Giacomo Meyerbeer, Patrick Kabongo, Chiara Brunello, Luiza Fatyol, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act I: Che barbaro tormento (Live)Giacomo Meyerbeer, Patrick Kabongo, Chiara Brunello, Luiza Fatyol, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act I: Prence, vi lascio, la presenza mia v'è grave (Live)Giacomo Meyerbeer, Patrick Kabongo, Chiara Brunello, Luiza Fatyol, Giulio Mastrototaro, Andrés Jesús Gallucci, Luciano Acocella
Romilda e Costanza, Act I: E così da me s'invola! (Live)Giacomo Meyerbeer, Chiara Brunello, Giulio Mastrototaro, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act I: Tu che vanti il più bel core (Live)Giacomo Meyerbeer, Chiara Brunello, Giulio Mastrototaro, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act I: Vuoi tu bene al tuo padrone? (Live)Giacomo Meyerbeer, Chiara Brunello, Giulio Mastrototaro, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act I: Di tanti popoli sacro al destino (Live)Giacomo Meyerbeer, Patrick Kabongo, Javier Povedano, Chiara Brunello, César Cortés, Luiza Fatyol, Emmanuel Franco, Górecki Chamber Choir, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act I: Segreto fremito, ignoto palpito (Live)Giacomo Meyerbeer, Patrick Kabongo, Javier Povedano, Chiara Brunello, César Cortés, Luiza Fatyol, Emmanuel Franco, Górecki Chamber Choir, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act II: Se nel mondo v'è un uomo contento (Live)Giacomo Meyerbeer, Giulio Mastrototaro, Górecki Chamber Choir, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act II: Ebben, lo salvarete? (Live)Giacomo Meyerbeer, Chiara Brunello, Luiza Fatyol, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act II: Ah, si salvi il caro oggetto (Live)Giacomo Meyerbeer, Chiara Brunello, Luiza Fatyol, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act II: Sì, principe (Live)Giacomo Meyerbeer, Javier Povedano, César Cortés, Emmanuel Franco, Andrés Jesús Gallucci, Luciano Acocella
Romilda e Costanza, Act II: Noi c'inchiniamo al grand'Albertone! (Live)Giacomo Meyerbeer, Emmanuel Franco, Górecki Chamber Choir, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act II: Chi sta al mondo ne vede di belle (Live)Giacomo Meyerbeer, Emmanuel Franco, Górecki Chamber Choir, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act II: Sì, contessa, vedrete, ve lo guiro (Live)Giacomo Meyerbeer, Chiara Brunello, Luiza Fatyol, Giulio Mastrototaro, Andrés Jesús Gallucci, Luciano Acocella
Romilda e Costanza, Act II: Caro ben, se vivi ancora (Live)Giacomo Meyerbeer, Patrick Kabongo, Chiara Brunello, Luiza Fatyol, Giulio Mastrototaro, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act II: E adesso (Live)Giacomo Meyerbeer, Chiara Brunello, Luiza Fatyol, Giulio Mastrototaro, Andrés Jesús Gallucci, Luciano Acocella
Romilda e Costanza, Act II: Egli sciolto! Ah tradimento! (Live)Giacomo Meyerbeer, Patrick Kabongo, Javier Povedano, Chiara Brunello, Luiza Fatyol, Emmanuel Franco, Giulio Mastrototaro, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act II: Paventa il mio furore (Live)Giacomo Meyerbeer, Patrick Kabongo, Javier Povedano, Chiara Brunello, Luiza Fatyol, Emmanuel Franco, Giulio Mastrototaro, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act II: Ah ch'egli va alla morte! (Live)Giacomo Meyerbeer, Patrick Kabongo, Javier Povedano, Chiara Brunello, Luiza Fatyol, Emmanuel Franco, Giulio Mastrototaro, Górecki Chamber Choir, Passionart Orchestra Krakow, Luciano Acocella
Romilda e Costanza, Act II: Ci sono, e la faranno (Live)Giacomo Meyerbeer, Timophey Pavlenko, Emmanuel Franco, Javier Povedano, Andrés Jesús Gallucci, Luciano Acocella
Romilda e Costanza, Act II: Ombre ferali della morte (Live)Giacomo Meyerbeer, Chiara Brunello, Passionart Orchestra Krakow, Luciano Acocella
Giacomo Meyerbeer, born Jacob Liebmann Beer in 1791, was a German opera composer who reigned supreme in the 19th century, shaping the grand opera genre and setting the stage for the future of music drama. Born into a wealthy Jewish family near Berlin, Meyerbeer's compositions, particularly "Robert le diable," "Les Huguenots," and "Le prophète," were sensational hits that captivated audiences and critics alike. His unique style blended German orchestral traditions with Italian vocal techniques, all wrapped in dramatic libretti by Eugène Scribe and enhanced by cutting-edge theater technology. Meyerbeer's influence was immense, inspiring giants like Richard Wagner and maintaining Paris's status as the opera capital of the world. Despite his past fame, Meyerbeer's works are less frequently performed today, making a journey through his compositions a hidden gem for opera enthusiasts.