Richard Beaudoin's "Microtimings" is a groundbreaking two-CD set that introduces a unique and innovative approach to composition, centered around the concept of microtiming. This refined methodology translates the subtle micro-temporal properties of renowned pianists Martha Argerich, Alfred Cortot, and Maurizio Pollini into a rich tapestry of sound. The album features 11 recent pieces, recorded in England, that draw inspiration from these pianists' interpretations of Chopin, Debussy, and Webern.
Beaudoin's work is not just a collection of compositions but a testament to his meticulous and innovative approach to music. Each piece on "Microtimings" is a study in precision and detail, exploring the nuances of timing and expression that often go unnoticed in traditional musical performances. The album's title track, "Microtimings," is a four-movement work that showcases Beaudoin's ability to translate the micro-temporal properties of Pollini's performance of Webern's music into a compelling and cohesive musical narrative.
Other highlights include "Etude d'un prelude I—Chopin desseche," which draws inspiration from Argerich's performance of Chopin, and "The Artist and his Model I—La fille floutee," which is based on Cortot's interpretation of Debussy. The album also features several pieces that explore the concept of microtiming in relation to string quartets, including "Second String Quartet: I" and "Second String Quartet: II."
"Microtimings" is a fascinating exploration of the intersection between performance and composition, and a testament to Richard Beaudoin's innovative approach to music. The album is a must-listen for anyone interested in contemporary classical music, and a fascinating insight into the world of microtiming.
Vinylscout