Miss Ann

Wayne Horvitz is a versatile and innovative composer, pianist, and keyboardist who has made significant contributions to the worlds of avant-garde and free jazz. Born in New York City in 1955, Horvitz rose to prominence in the vibrant Downtown scene of the 1980s and '90s, collaborating with legendary artists such as John Zorn and Bill Frisell. His work is characterized by a unique appreciation of rhythm and dynamic tension, creating a diverse range of textures that span from avant-classical to folksy charm, and from intimate small-group settings to large-ensemble performances.

Horvitz's compositional palette is remarkably eclectic, incorporating elements of brass, electronic music, and minimalist riffs, often resulting in slightly surreal and deeply engaging musical landscapes. His extensive discography includes works for theater, dance, film, and orchestra, showcasing his versatility and ingenuity. Notable albums like "55: Music and Dance in Concrete" and "Whispers, Hymns and a Murmur" highlight his ability to blend genres and push musical boundaries.

Relocating to Seattle, Horvitz has continued to thrive, leading several ongoing groups and working as an adjunct professor of composition at Cornish College of the Arts. His collaborations with artists like Sara Schoenbeck and Ron Miles further underscore his commitment to musical exploration and innovation. Whether performing solo or with ensembles like Sweeter Than the Day, Horvitz's music remains a testament to his enduring creativity and mastery of multiple genres.