Ingebrigt Håker Flaten's 'Mitt hjerte altid vanker 1' is a captivating 45-minute exploration of sound, released on 11 February 2011 via Compunctio. This album delves into the realms of free jazz and avant-garde, showcasing Flaten's innovative approach to music. The seven-track journey takes listeners through a diverse landscape of emotions and textures, from the poignant 'Death and the flower' to the uplifting 'Du høye fryd for rene sjele'. With its unique blend of intensity and introspection, 'Mitt hjerte altid vanker 1' is a testament to Ingebrigt Håker Flaten's boundless creativity and his ability to push the boundaries of jazz. As the album unfolds, tracks like 'Overmåte full av nåde' and 'For himmerigs land maa man kjempe' demonstrate Flaten's mastery of experimentation, resulting in a truly immersive experience. Through this album, Ingebrigt Håker Flaten invites listeners to immerse themselves in his distinctive sound world, where the conventions of traditional jazz are skillfully subverted.
Ingebrigt Håker Flaten is a celebrated Norwegian bassist, improviser, composer, and bandleader who has made a significant impact on the modern creative music scene, particularly within the realms of free jazz and avant-garde. Born in 1971, Flaten's upbringing in a Pietist Christian environment has deeply influenced his musical perspective, fostering a life dedicated to faith and humble service through his art. Known for his dynamic and innovative approach to the bass, Flaten has collaborated with numerous renowned artists and has led his own projects, earning him critical acclaim and awards. His work with bands like The Thing, alongside musicians such as Paal Nilssen-Love, has solidified his reputation as a forward-thinking and influential figure in contemporary jazz. Flaten's music is not just about the notes; it's about the journey, the emotion, and the connection he forges with his audience. Whether performing solo or with an ensemble, Flaten's performances are always a testament to his deep musicality and his ability to push the boundaries of what is expected in jazz.
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