Something Wild in the City: Mary Ann's Theme (1960) for horn, celesta, and string QuartetMorton Feldman, Ensemble Recherche
Jackson Pollock (1950-51) for two Cellos: I SignatureMorton Feldman, Lucas Fels, Tobias Moster
Jackson Pollock (1950-51) for two Cellos: II Pollock PaintsMorton Feldman, Lucas Fels, Tobias Moster
Jackson Pollock (1950-51) for two Cellos: III ShadowMorton Feldman, Lucas Fels, Tobias Moster
Jackson Pollock (1950-51) for two Cellos: IV Detail of PaintingsMorton Feldman, Lucas Fels, Tobias Moster
Jackson Pollock (1950-51) for two Cellos: (Interlude)Morton Feldman, Lucas Fels, Tobias Moster
Jackson Pollock (1950-51) for two Cellos: V Painting on GlassMorton Feldman, Lucas Fels, Tobias Moster
Jackson Pollock (1950-51) for two Cellos: VI Painting on glass (2nd Sequence)Morton Feldman, Lucas Fels, Tobias Moster
Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: IMorton Feldman, Ensemble Recherche
Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: IIMorton Feldman, Ensemble Recherche
Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: IIIMorton Feldman, Ensemble Recherche
Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: IVMorton Feldman, Ensemble Recherche
Samoa (1968) for flute, horn, trumpet, harp, vibraphone, piano, and Cello: VMorton Feldman, Ensemble Recherche
For Aaron Copland (1981) for ViolinMorton Feldman, Melise Mellinger
The Sin of Jesus (1960-61) [Score for untitled film] for flute, horn, trumpet, and Cello: Cue I - Cue III Ending at AMorton Feldman, Ensemble Recherche
The Sin of Jesus (1960-61) [Score for untitled film] for flute, horn, trumpet, and Cello: AMorton Feldman, Ensemble Recherche
The Sin of Jesus (1960-61) [Score for untitled film] for flute, horn, trumpet, and Cello: Cue II, very SoftMorton Feldman, Ensemble Recherche
The Sin of Jesus (1960-61) [Score for untitled film] for flute, horn, trumpet, and Cello: Cue II A, very SoftMorton Feldman, Ensemble Recherche
The Sin of Jesus (1960-61) [Score for untitled film] for flute, horn, trumpet, and Cello: Cue IV - IV A, very SoftMorton Feldman, Ensemble Recherche
The Sin of Jesus (1960-61) [Score for untitled film] for flute, horn, trumpet, and Cello: Cue V Solo CelloMorton Feldman, Ensemble Recherche
The Sin of Jesus (1960-61) [Score for untitled film] for flute, horn, trumpet, and Cello: Cue V AMorton Feldman, Ensemble Recherche
The Sin of Jesus (1960-61) [Score for untitled film] for flute, horn, trumpet, and Cello: Cue VIMorton Feldman, Ensemble Recherche
[Untitled film music] (1960) for flute, horn, trumpet, trombone, tuba, percussion, and double Bass: IntroMorton Feldman, Ensemble Recherche
[Untitled film music] (1960) for flute, horn, trumpet, trombone, tuba, percussion, and double Bass: CityMorton Feldman, Ensemble Recherche
[Untitled film music] (1960) for flute, horn, trumpet, trombone, tuba, percussion, and double Bass: Drinking WaterMorton Feldman, Ensemble Recherche
[Untitled film music] (1960) for flute, horn, trumpet, trombone, tuba, percussion, and double Bass: Into Sheep CountryMorton Feldman, Ensemble Recherche
[Untitled film music] (1960) for flute, horn, trumpet, trombone, tuba, percussion, and double Bass: ThemeMorton Feldman, Ensemble Recherche
[Untitled film music] (1960) for flute, horn, trumpet, trombone, tuba, percussion, and double Bass: King-Cross NightMorton Feldman, Ensemble Recherche
[Untitled film music] (1960) for flute, horn, trumpet, trombone, tuba, percussion, and double Bass: The ParkMorton Feldman, Ensemble Recherche
[Untitled film music] (1960) for flute, horn, trumpet, trombone, tuba, percussion, and double Bass: The BeachMorton Feldman, Ensemble Recherche
[Untitled film music] (1960) for flute, horn, trumpet, trombone, tuba, percussion, and double Bass: Last ShotMorton Feldman, Ensemble Recherche
[Untitled film music] (1960) for flute, horn, trumpet, trombone, tuba, percussion, and double Bass: DesertMorton Feldman, Ensemble Recherche
De Koonig (1963) for horn, percussion, piano/Celesta, violin and CelloMorton Feldman, Ensemble Recherche
Morton Feldman's "Something Wild - Music for Film" is a captivating exploration of the avant-garde and minimalist genres, released on January 1, 2002, by the renowned label KAIROS. This album is a testament to Feldman's innovative compositional style, which has left an indelible mark on the world of classical music. Spanning a duration of 59 minutes, the album features a diverse range of instrumental compositions, each offering a unique auditory experience.
The ensemble Recherche brings Feldman's vision to life with their masterful performance, showcasing pieces such as "Something Wild in the City," "Jackson Pollock" for two cellos, and "Samoa" for an ensemble of flute, horn, trumpet, harp, vibraphone, piano, and cello. The album also includes scores from untitled films, highlighting Feldman's versatility and his ability to create evocative music for visual media.
Feldman's work is known for its intricate textures and subtle nuances, making "Something Wild - Music for Film" a compelling listen for those interested in the avant-garde and minimalist genres. The album is a perfect blend of Feldman's experimental approach and his deep understanding of classical music traditions, offering a rich and immersive listening experience. Whether you're a longtime fan of Morton Feldman or a newcomer to his work, this album is sure to captivate and inspire.
2002 HNE Rights GmbH2002 KAIROS
About Morton Feldman
Morton Feldman, born in New York in 1926, was a pioneering American composer who left an indelible mark on 20th-century music. A key figure in the experimental New York School, Feldman was known for his exceptionally long compositions and his innovative approach to time and sound. His works, often referred to as "Time Canvasses," are characterized by their expansive yet intimate nature, blending minimalism, avant-garde, and drone genres. Feldman's unique musical language, influenced by his studies with Maurina-Press and his association with John Cage, continues to captivate and challenge audiences worldwide. His pieces, such as "For Samuel Beckett" and "For Aaron Copland for Solo Violin," showcase his ability to create profound and immersive musical experiences.
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