Morton Feldman's "Violin & String Quartet" is a monumental work of minimalist and avant-garde composition, originally composed in 1985 and released as an album in 2002. This epic piece, lasting over two hours, is a testament to Feldman's unique approach to duration and subtlety in music. The composition is performed by a quintet consisting of a violin and a string quartet, creating a rich tapestry of sound that unfolds gradually and delicately.
The album is a single, continuous piece divided into four parts, each part seamlessly flowing into the next. Feldman's use of drone and minimalist techniques creates an atmosphere of meditative intensity, inviting the listener to immerse themselves in the intricate layers of sound. The performance by Peter Rundel and the Pellegrini Quartet captures the essence of Feldman's vision, with each musician contributing to the piece's hypnotic and immersive quality.
Recorded in Cologne, Germany, at the WDR Aula, the album benefits from the excellent acoustics of the venue, enhancing the clarity and depth of the performance. The release on the hat[now]ART label ensures a high standard of production, making this a definitive recording of Feldman's important work.
For those interested in experimental and contemporary classical music, "Violin & String Quartet" offers a profound listening experience. Feldman's ability to create profound emotional and intellectual engagement with such minimal means is a hallmark of his genius, and this album is a prime example of his enduring influence on the world of avant-garde composition.
Morton Feldman, born in New York in 1926, was a pioneering American composer who left an indelible mark on 20th-century music. A key figure in the experimental New York School, Feldman was known for his exceptionally long compositions and his innovative approach to time and sound. His works, often referred to as "Time Canvasses," are characterized by their expansive yet intimate nature, blending minimalism, avant-garde, and drone genres. Feldman's unique musical language, influenced by his studies with Maurina-Press and his association with John Cage, continues to captivate and challenge audiences worldwide. His pieces, such as "For Samuel Beckett" and "For Aaron Copland for Solo Violin," showcase his ability to create profound and immersive musical experiences.
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