Henri Texier's "Mosaïc Man" is a masterful exploration of contemporary French jazz, released in January 1998. This album, recorded at the prestigious Studio Gil Evans in Amiens, France, in September 1998, showcases Texier's Azur Quintet at the height of their creative prowess. With a runtime of 1 hour and 9 minutes, "Mosaïc Man" is a rich tapestry of 12 intricate tracks that blend post-bop influences with Texier's signature style, creating a sonic journey that is both intellectually stimulating and deeply satisfying.
The album opens with "Mosaïc Man," a title track that sets the tone for the eclectic and sophisticated compositions that follow. Standout tracks like "The Lost Kids of Nairobi" and "Cap Esperance" highlight the quintet's ability to weave complex rhythms and melodies into cohesive, engaging pieces. "Mr. Freeman" and "Happy Daze" offer moments of levity and playfulness, while "Awa" and "Togo" delve into more introspective and contemplative territories.
"Mosaïc Man" has been critically acclaimed since its release, with Jazzman magazine hailing it as "an opus magnum" and "one of the albums of the decade." The album's intricate arrangements and Texier's masterful bass playing make it a standout in the contemporary jazz genre. Whether you're a seasoned jazz enthusiast or a newcomer to the genre, "Mosaïc Man" offers a rich and rewarding listening experience that showcases the best of Henri Texier's artistry.
Henri Texier, the iconic French jazz double bassist, has been a pioneering force in European jazz since the 1960s. Born in Paris, Texier's journey began at the age of 15, playing piano in nightclubs before transitioning to the double bass, inspired by the likes of Wilbur Ware, Don Cherry, and Ornette Coleman. Over his five-decade career, Texier has not only recorded extensively as a leader but also performed alongside jazz legends such as Bud Powell and Don Cherry. His music is a rich tapestry of influences, reflecting his deep engagement with native American history, African rhythms, and the social echoes of his time, including the tumultuous events of May 1968. Texier's discography, much of which is on Michel Crier’s Label Bleu, is a testament to his enduring creativity and his role as a catalyst for musical adventures, making him a true hero of world jazz. Whether leading his own ensembles or collaborating with other greats, Henri Texier's music is a powerful, intimate dialogue that resonates with the pulse of his unyielding artistic vision.
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