Immerse yourself in the rich tapestry of classical music with Ignaz Moscheles' captivating album, released on January 1, 2003, by Oehms Classics. This exquisite collection features a blend of Moscheles' own compositions and his insightful interpretations of Bach's masterpieces, all beautifully performed by Ramon Jaffe.
The album opens with Moscheles' Cello Sonata in E Major, Op. 121, a work that showcases the composer's mastery of form and expression. The sonata's four movements, from the impassioned Allegro espressivo e appassionato to the lively Finale, offer a journey through a range of moods and textures, highlighting the depth and versatility of Moscheles' compositional style.
The second half of the album is dedicated to Moscheles' Melodic-Contrapuntal Studies, Op. 137, inspired by Bach's The Well-Tempered Clavier. These studies, meticulously crafted and performed, demonstrate Moscheles' profound understanding of Bach's contrapuntal genius and his ability to reinterpret it in a fresh, personal voice. Each of the ten studies, ranging from the serene C Major to the dramatic C Minor, offers a unique perspective on Bach's timeless themes.
With a total duration of one hour and one minute, this album is a treasure trove for classical music enthusiasts, offering a unique blend of compositional brilliance and virtuosic performance. Whether you're a longtime admirer of Moscheles' work or a newcomer to his music, this album promises a rewarding and enriching listening experience.
2003 Oehms Classics2003 Oehms Classics
Tracks
Cello Sonata in E Major, Op. 121: I. Allegro espressivo e appassionatoIgnaz Moscheles, Ramon Jaffe, Elisaveta Blumina
Cello Sonata in E Major, Op. 121: II. Scherzo (ballabile): Allegretto quasi allegroIgnaz Moscheles, Ramon Jaffe, Elisaveta Blumina
Cello Sonata in E Major, Op. 121: III. Ballade (in bohmischer Weise): AndantinoIgnaz Moscheles, Ramon Jaffe, Elisaveta Blumina
Cello Sonata in E Major, Op. 121: IV. Finale: Allegro vivace, ma non troppoIgnaz Moscheles, Ramon Jaffe, Elisaveta Blumina
Melodic-contrapuntal Studies, Op. 137 (after Bach's The Well Tempered Clavier): No. 1 in C Major (from Vol. 1, No. 1)Ignaz Moscheles, Ramon Jaffe, Elisaveta Blumina
Melodic-contrapuntal Studies, Op. 137 (after Bach's The Well Tempered Clavier): No. 2 in D Major (from Vol. 2, No. 5)Ignaz Moscheles, Ramon Jaffe, Elisaveta Blumina
Melodic-contrapuntal Studies, Op. 137 (after Bach's The Well Tempered Clavier): No. 3 in G Major (from Vol. 1, No. 15)Ignaz Moscheles, Ramon Jaffe, Elisaveta Blumina
Melodic-contrapuntal Studies, Op. 137 (after Bach's The Well Tempered Clavier): No. 4 in E-Flat Major (from Vol. 2, No. 7)Ignaz Moscheles, Ramon Jaffe, Elisaveta Blumina
Melodic-contrapuntal Studies, Op. 137 (after Bach's The Well Tempered Clavier): No. 5 in D Minor (from Vol. 1, No. 6)Ignaz Moscheles, Ramon Jaffe, Elisaveta Blumina
Melodic-contrapuntal Studies, Op. 137 (after Bach's The Well Tempered Clavier): No. 6 in B Minor (from Vol. 1, No. 24)Ignaz Moscheles, Ramon Jaffe, Elisaveta Blumina
Melodic-contrapuntal Studies, Op. 137 (after Bach's The Well Tempered Clavier): No. 7 in B-Flat Major (from Vol. 1, No. 21)Ignaz Moscheles, Ramon Jaffe, Elisaveta Blumina
Melodic-contrapuntal Studies, Op. 137 (after Bach's The Well Tempered Clavier): No. 8 in D Minor (from Vol. 2, No. 6)Ignaz Moscheles, Ramon Jaffe, Elisaveta Blumina
Melodic-contrapuntal Studies, Op. 137 (after Bach's The Well Tempered Clavier): No. 9 in C-Sharp Minor (from Vol. 1, No. 4)Ignaz Moscheles, Ramon Jaffe, Elisaveta Blumina
Melodic-contrapuntal Studies, Op. 137 (after Bach's The Well Tempered Clavier): No. 10 in C Minor (from Vol. 1, No. 2)Ignaz Moscheles, Ramon Jaffe, Elisaveta Blumina
Vinylscout