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    Motets - Palestrina

    Giovanni Pierluigi da PalestrinaGiovanni Pierluigi da Palestrina
    • 1997
    • 13 tracks
    • 1 uur, 7 min
    • choral
    Motets - Palestrina - Giovanni Pierluigi da Palestrina

    Album Description

    Immerse yourself in the timeless beauty of Renaissance polyphony with "Motets - Palestrina," a captivating collection of sacred choral works by the masterful Giovanni Pierluigi da Palestrina. Released in 1997, this album showcases Palestrina's unparalleled skill in composing masses, motets, and other sacred works, reflecting his profound influence on the development of Western choral music.

    The album features a stunning array of compositions, including the iconic "Missa 'Assumpta est Maria'" and the resplendent "Magnificat" settings, performed with exquisite precision and devotion by the Choral Musica Contexta under the direction of Simon Ravens. Recorded in the acoustically rich All Hallows Church, the album's sound is both intimate and grand, allowing the intricate harmonies and contrapuntal textures of Palestrina's music to shine.

    Spanning a duration of 1 hour and 7 minutes, "Motets - Palestrina" offers a comprehensive exploration of the composer's sacred output, from the solemnity of the "Kyrie" to the jubilant exultation of the "Gloria." Each track is a testament to Palestrina's mastery of vocal writing and his deep spiritual insight, making this album an essential addition to any classical music enthusiast's collection.

    Whether you are a seasoned fan of Renaissance music or a newcomer to the genre, this album promises an enriching and spiritually uplifting experience. Allow the ethereal voices of the choir to transport you to a world of divine harmony, where the timeless beauty of Palestrina's music continues to inspire and enchant.

    © 1997 EMI Records ltd℗ 1997 The copyright in this sound recording is owned by EMI Records Ltd

    Tracks

    1. Palestrina: Assumpta est Maria a 6Giovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
    2. Palestrina: Missa "Assumpta est Maria": I. KyrieGiovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
    3. Palestrina: Missa "Assumpta est Maria": II. GloriaGiovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
    4. Palestrina: Missa "Assumpta est Maria": III. CredoGiovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
    5. Palestrina: Missa "Assumpta est Maria": IV. SanctusGiovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
    6. Palestrina: Missa "Assumpta est Maria": V. BenedictusGiovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
    7. Palestrina: Missa "Assumpta est Maria": VI. Agnus Dei IGiovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
    8. Palestrina: Missa "Assumpta est Maria": VII. Agnus Dei IIGiovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
    9. Palestrina: Cappella Giulia MS Baini II: Ave Maria a 8Giovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
    10. Palestrina: Beata es Virgo MariaGiovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
    11. Palestrina: Hodie gloriosa semper virgo MariaGiovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
    12. Palestrina: Regina coeli a 8Giovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
    13. Palestrina: Magnificat octo tonum, Liber tertius: Magnificat septimi toniGiovanni Pierluigi da Palestrina, Choir of Clare College, Cambridge, Timothy Brown
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    About Giovanni Pierluigi da Palestrina

    Giovanni Pierluigi da Palestrina, born circa 1525 in the town of Palestrina near Rome, stands as one of the most influential composers of the late Renaissance period. As the central figure of the Roman School, alongside Orlande de Lassus and Tomás Luis de Victoria, Palestrina's compositions are celebrated for their intricate polyphony and emotional depth. His career began at the young age of 19 when he was appointed as an organist at the cathedral in Palestrina, a role he held until 1551. Throughout his life, Palestrina's work significantly shaped the course of Western classical music, earning him the title of the leading composer of late 16th-century Europe. His choral works, deeply rooted in the traditions of Gregorian chant and medieval music, continue to captivate audiences with their timeless beauty and technical mastery.

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    Giovanni Pierluigi da Palestrina

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