Immerse yourself in the enchanting world of Renaissance polyphony with Pierre Moulu's captivating album, "Missa Alma redemptoris & Missus est Gabriel." This remarkable collection, released in 2010 by Hyperion, is the first-ever CD devoted to the music of the enigmatic composer Pierre Moulu, who remains one of the many shadowy figures of the Renaissance era. Despite the scarcity of biographical details, Moulu's musical genius shines brightly through his compositions, which have captivated audiences and scholars alike since the 1870s.
The centerpiece of this album is Moulu's most celebrated work, the Missa Alma redemptoris mater. This extraordinary mass is a testament to the composer's mastery of polyphony, as it can be performed with or without rests, showcasing the intricate interplay of voices. The album features both the short and long versions of this stunning work, along with the equally impressive Missa Missus est Gabriel angelus. Each piece is performed with precision and passion by The Brabant Ensemble, directed by the esteemed Stephen Rice.
Spanning a total of 74 minutes, this album offers a rich and rewarding listening experience. It is a perfect introduction to the world of Renaissance sacred music, showcasing the beauty and complexity of the genre. Whether you are a seasoned enthusiast of early music or a newcomer to the genre, this album is sure to delight and inspire. The album's duration of 1 hour and 14 minutes ensures that you can enjoy it in one sitting or explore its depths over multiple listens.
Pierre Moulu, born around 1480 in the diocese of Meaux, was a distinguished French composer who left an indelible mark on the Renaissance musical landscape. Under the tutelage of the renowned Josquin Desprez, Moulu honed his craft, eventually becoming associated with the French royal chapel in the early 16th century. His compositions, which include masses, chansons, and over twenty motets, are celebrated for their intricate polyphony and emotional depth. Moulu's works offer a captivating glimpse into the sacred and secular music of his time, making him a pivotal figure in the evolution of Renaissance polyphony.
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